Five Songs, 7/5/2022

Yo-Yo Ma, “Suite no. 1 in G Major, BWV 1007: III. Courante”

I don’t know shit about any of this, but I have to say: that song title looks like something from a prog-metal band’s record.

Built To Spill, “Aisle 13”

If I played the first ten seconds of this to you, I wonder how long it would take for you to guess that it’s a Built to Spill song? By a minute, of course, it’s obvious, but still.

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Five Songs, 3/13/2022

Yo-Yo Ma, “Suite no. 4 in E-flat major, BWV 1010: I. Prélude”

These pieces, which come up occasionally, really don’t make a lot of sense in isolation. Shuffle is good at some things - surprises, shaking up your routine, serendipity - but is bad at an album like this.

The Meters, “Africa”

Rejuvenation is my favorite album from the second Meters phase of life. The grittier, mostly- or all-instrumental Meters of the first few albums had changed into a brighter sound, with vocals and more bounce. Still incredibly funky, of course, but a different feel. Generally, I lean towards the earlier sound, but this album is undeniable.

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Five Songs, 11/28/2021

John Coltrane, “Naima”

I often feel inadequate on this blog. My words are woefully insufficient to describe so many of the beautiful songs we get on here. Writing about music is hard, even for somebody good at it. Writing about it for an idiot like me is basically impossible. I’m just banging rocks together here and ooking at the moon.

And then something like Coltrane comes up, and I really vanish. What can I possibly say that’s going to add to one of the true artistic triumphs any of us are likely to encounter? You either feel this in your heart, or you don’t, but it’s not like I’m going to be able to awaken your soul with my typing.

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Five Songs, 10/26/2021

Sloan, “Deeper Than Beauty”

Sloan are a rarity, a band who clearly should have been big in America, but instead settled for a long and celebrated career in Canada. This stuff, really smart power pop, absolutely could have broken through at basically any moment, and just kind of never did. If you like this sort of thing at all, this album and One Chord To Another are must-listens.

Yo-Yo Ma, “Suite no. 1 in G major, BWV 1007: III. Courante”

I feel too dumb to even type out that song title, much less listen to this.

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Five Songs, 2/1/2020

Leatherface, “Scheme of Things”

UK punk band Leatherface play it pretty much straight ahead, but they do a nice job with it. The thing that’s hard to adjust to is Frankie Stubbs’s voice, which is rough, to put it mildly. But, this entire album (Mush) is pretty good overall, and it’s worth giving it a try if you like this song.

Screeching Weasel, “Claire Monet”

Sure, why not. Apparently it’s Punk With Vocals You Really Have To Adjust To Day around here.

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Five Songs, 12/9/2019

Zeal and Ardor, “Fire Of Motion”

We just had Zeal and Ardor in here recently. This is always a challenge: I have so little interesting to say about anything, that if we have a band show up twice too quickly, y’all will notice that I’m hopeless. Notice more that I’m hopeless.

I love the echoing guitar part that opens this track, this whole thing actually reads more industrial than black metal in a lot of ways, which kind of makes me nostalgic for 1990.

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Five Songs, 1/23/2019

And another one!

Aesop Rock, “No Regrets”

Aesop Rock’s Def Jux debut, Labor Days, is widely considered to be his best record. It’s the one where the beats really started keeping up with his complex, wordy flow. Rock can be a little exhausting to listen to at times, but in the right mood, he’s a lot of fun.

Bim Skala Bim, “For The Turnstiles”

This track, from How’s It Goin’?, is an example of Bim Skala Bim at its best. A warm, organ-driven groove, some fun trombone bits, a cheerful tune - it’s just super pleasant.

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Five Songs, 3/21/2018

Today’s list.

CROOKED BANGS, “Out”

I discovered this album via Bandcamp’s Album of the Day feature, which is always deadly. I like it, it’s always nice to pick up on random punk records now and again.

Yo-Yo Ma, “Suite for Solo Cello No. 6 in D Major, BWV 1012: VI. Gigue”

As before, still don’t know anything about this.

Leatherface, “Discipline”

Long-running UK punks Leatherface made ten albums, which is probably about eight more than we actually needed. They play very back-to-basics punk that evokes all the first-wave punk bands from the UK. I’ve got two albums from them, and I’m not totally sure I could tell them apart.

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Five Songs, 10/12/2017

Sorry I’ve been flaky a bit recently! I have tunes for today, though!

Yo-Yo Ma, “Suite for Solo Cello, 2 in D Minor, BWV 1008: VI. Gigue”

Nope, still don’t know nothin’. Nice to listen to, though.

Fake Limbs, “Stugots II”

What is this? I like this a lot! I don’t remember getting this! I suspect it must have been in a year-end round up last year, and I spaced listening to it. This sounds like it’s from Chicago. (looks) Yes, it’s from Chicago. Hell yes. I know what I’m listening to when I’m done here.

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Five Songs, 9/29/2017

Shuffle is trying to make me look dumb today. It probably succeeded.

Channels, “Mercury”

Channels is basically impossible to search YouTube for. Well, it was only a few days ago we first encountered them, so hopefully you all remember them well. This song is about as ballad-y as J. Robbins gets.

New York Ska-Jazz Ensemble, “Naima”

A side project of a bunch of folks in the New York third-wave ska scene, this is basically what it sounds like: a bunch of ska artists getting together to play a bunch of jazz standards. It’s a pretty enjoyable listen. This, of course, is the John Coltrane song. I’d say more, but, well, you know the score.

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