Yo La Tengo

Future Of The Left, “Chin Music”

The bass tone for Future of the Left always sounds like a million bucks. And they wisely make sure that it stays up front plenty so we can all enjoy the hell out of it.

…And You Will Know Us By The Trail Of Dead, “Bells of Creation”

This album, The Century of Self, marked the point where I kind of lost track of Trail of Dead. Not because I stopped liking the music - they’re still their normal bombastic selves here, making huge, emotional tunes - but just because sometimes we just fall off of bands. I think that maybe I wasn’t hearing a lot of evolution in the band, and I kind of had heard what they had to say. That’s maybe unfair, but there’s not a lot separating this from the previous three records.

Yo La Tengo, “Raw Power”

Yo La Tengo Is Murdering The Classics is a compilation of Yo La Tengo’s fundraising appearances for WFMU where the band plays whatever songs are requested. You can usually tell when it’s a song they’re more familiar with than others, because they can usually muster more energy in the performance, although they’re game for whatever. Here, they put in a nice run on the Stooges classic.

All over the map today.

Common Market, “Slow Cure”

It’s been a while since we’ve had Common Market, so a little re-introduction: this is a Seattle duo, featuring Sabzi (more famously known as half of the Blue Scholars) and RA Scion. Given that it’s Sabzi on the beats, it’s going to share a certain feel with the Blue Scholars, but Scion is different enough from Geologic that they don’t sound totally the same.

Let’s hope we do better today!

The Clash, “Julie’s Been Working for the Drug Squad”

This is a repeat from, geez, a year and a half ago.

Bruce Cockburn, “If A Tree Falls”

Well, it’s been a good, long time, but we’ve got a completely unknown song here popping up. There were a handful of songs pre-loaded on some device of mine in the misty, distant past, and some automated scan swept them up into my library. I didn’t catch them, and now they’re sprinkled in among the songs I actually want to keep, and I haven’t been able to root them out. And now you have to deal with them too!

Pretty much a mess today.

The Gabriel Construct, “Arrival In A Distant Land”

At what point does a prog rock album cross the border from rock into something else? How far can you stretch rock before it breaks? These aren’t questions being asked directly by Gabriel Riccio, who is the force behind this album, but those questions are certainly present. This is a concept album about…something, I dunno. It’s all very high concept. Let’s put it this way: this is the opening track to the album. This is how it kicks off. So clearly, he’s not going for accessible here.

A repeat today, so you all know what that means. SIX SONGS BABY

De La Soul, “Pain (Radio Edit)”

Feels like we’ve had this song on here before. (looks) Yeah, we have. I have to fix all the tagging/index stuff around here.

Neutral Milk Hotel, “You’ve Passed”

The focus for Neutral Milk Hotel is on In The Aeroplane Over The Sea, but On Avery Island is very good as well. It’s maybe a little more predictable, a little more just pure indie pop, but Jeff Magnum knows what he’s doing here.

Some nice stuff today.

Hot Snakes, “Think About Carbs”

Listening to just the right channel on this song is kind of magical. Just Rick Froberg howling along with the drums except for the occasional burst of guitar until you get to the end. Just listen to those toms! Hell yes! Hot Snakes wooo!

Foetus, “The Ballad of Sisyphus T. Jones”

From Hide, this is Foetus at his bombastic, ridiculous best. I like this mode of Thirlwell’s, of making over-the-top songs that sound like songs from corny movies, but through a funhouse mirror.

Took a few days off there. I’d apologize, but did anybody notice? If you Five Songs on a blog and nobody is there to hear it…

Anyway, cue the tunes, Amazon!

Melvins, “Laughing With Lucifer At Satan’s Sideshow”

We’ve discussed the Melvins getting dropped from their major label after a stellar run artistically, upon the discovery that the Melvins don’t actually sell any records. They found a home on Amphetamine Reptile Records, who apparently encouraged them to do whatever they wanted. So here, we have a little throwaway making fun of their time on their major label. And they called this record Honky. Why not!

Today!

Daft Punk, “Give Life Back To Music”

As a teenager, I took it for granted that disco sucked. Everybody knew it sucked, right? It was shiny and for dancing! I didn’t really interrogate the reasons why there was a cultural backlash against disco, it was just a thing that happened, and obviously it had to happen to pave the way for what followed. It took a while for me to really think about it. Why were so many people so dead set against disco? That they were willing to not just dislike a genre but adopt hating it as part of their identity. And, of course, the penny finally dropped one day: disco was a haven for people outside the rock mainstream, a place where gay folks, people of color, and just loads of diverse folks could be accepted and be themselves. It was a scene that wasn’t just welcoming of these differences, but embraced them. So, of course it had to go. People couldn’t just ignore it if they didn’t like it. That scene had to be destroyed.

Great stuff!

They Might Be Giants, “What Is A Shooting Star?”

You know, now that I’m doing this on a platform with a functional tagging system, I could have just tagged each of these entries with each band, and then I wouldn’t need the index. But we wouldn’t have the “previouslys” either, and I kind of like them? But this is also a hassle to maintain this. And, well, I don’t know if I want to convert everything over.