Five Songs, 3/24/2021

Willie Nelson, “Are You Sure”

We’ve had a couple tracks from this record, which is Crazy, The Demo Sessions. Every time it comes up, I’m reminded how much I like this, and then I go look at his discography, get intimidated, and kind of give up. Not very laudable of me, I suppose.

Let’s Go Bowling, “Rude 69”

See, the beginning to this song is the sort of thing that got people dismissive of the third wave. There’s no real point to adding the “rude 69!” bits to the song other than to just have the whole enterprise be all smirky. Other than that, it’s a totally reasonable instrumental. Well, whatever.

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Five Songs, 4/11/2018

I don’t have a lot to say today.

Man Or Astro-Man?, “Lo Batt”

Man Or Astro-Man? made (mostly) instrumental rock, in sort of a surf rock vein, but with this kind of retro-future 50’s thing going on. Their records were pretty similar and uniformly good, so you can just start with one at random and it’ll work out fine. This is from Made From Technetium, for the record.

The Drapels, “Wondering (When My Love Is Coming Home)”

I think the bit where soul artists would name a song something short and pithy and then whack on some big ol’ parenthetical to the name is adorable. More bands should do that.

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Five Songs, 9/7/2017

In other music news, one of my very favorite blogs of all time is now a book. Go look at the outstanding Ruth & Martin’s Album Club! Also, here’s today’s music.

Ghostface Killah and Adrian Younge, “Blood on the Cobblestones”

Another track from the cinematic Twelve Reasons to Die, which is just a fantastic album. The various Wu-Tang projects were always at their best when drawing inspiration from movies and other visual media, and this album is no exception.

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Five Songs, 5/13/2017

I think we’re on a streak here, with another strong collection of songs for this entry. Take a listen and see if you agree.

Willie Nelson, “Undo The Right”

This is from Crazy: The Demo Sessions, a compilation of very early demos of Nelson performing a bunch of his songs, some of which ended up becoming very famous. “Crazy” as recorded by Patsy Cline, for instance. The songs on this album are all pretty spare arrangements, mostly just Nelson and his guitar. I’m far from a Nelson expert, so I have no real pointers on where to go with his discography, but this album is very good. Makes for a disorienting duet when you have two copies of the song going at once, though.

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