I can remember bozos complaining about electronic music back in the early 90s, claiming that it wasn’t “real music” and that it doesn’t take any skill to play the instruments. And, of course, that doesn’t really deserve any refutation, but I think about it sometimes when I listen to stuff like this, and consider how careful the composition is. And that some knucklehead might dismiss it just because nobody chugged through any power chords on a guitar.
[Read More]Alles Wieder Offen (“All Open Again”) represents Neubauten fully completing their new model of creating albums. In 2002, Neubauten wanted to get themselves total creative freedom to create the music they wanted, without any label interference. They managed to get 2,000 people signed up at $35 a piece, which was enough to fund some sessions. Those recordings would turn into Supporter Album No. 1, which I have a copy of somewhere around here. However, the band turned to Mute records to turn it into a full release (Perpetuum Mobile, which re-worked some of the songs from it), which allowed them to fund a tour.
[Read More]WIFE is the new band started by James Kelly, after the sublime black metal band Altar of Plagues disbanded. He clearly wanted to pursue a different direction, focusing on electronics to make his noise. It does share some of the same oppresive atmosphere of Altar of Plagues at times, and What’s Between (the only album so far) is a very interesting record.
After three great records in a row, Fountains of Wayne put out Traffic and Weather, which on the surface seems similar, but it’s just not in the same league. The songs are shallower, they’re not as catchy, they’re not as sly. It’s just a big step down, which is a shame. The record is OK, and I do listen to it occasionally. But mostly, I do that just to check and see if my opinion has changed. It has not yet.
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