The Wedding Present decided to release a single every month for 1992, cranking out originals and covers during the series. They were collected into two records, Hit Parade 1 and Hit Parade 2, and both are great. The band was at their absolute best in the early 90s, and so getting this many tunes from them at that time is great. There’s no real reason to pick between them, both are outstanding.
[Read More]Freddie Gibbs came off the triumphant Piñata, an album-length collaboration with Madlib, riding high. For his follow-up, Shadow of a Doubt, he worked with a variety of producers, and while the production is solid, it’s really all about Gibbs and his rhymes. I’m not the first to say it, but Gibbs comes across kind of like 2Pac, only with much more variation in his flow. I think this album really kind of demonstrate it, as there is so much focus on his delivery. While I think his work with Madlib is his best work, this is a very good record.
[Read More]Ryan Adams’ first foray into country, the first Whiskeytown record is alt-country only in the sense that it wasn’t made for pop-country radio. Other than that, it’s a country record in every sense. It’s a pretty good record, but I don’t find it as compelling as other alt-country acts, so it doesn’t get played very often.
Among the many reasons to love the Du-Rites is that they produce a steady stream of singles, which all consistently smoke. This is the a-side to one of those 7"s, and come on, that’s tasty.
[Read More]My current favorite burn for doofy looking middle-aged dudes who look a certain way is to say that they look like they have strong opinions about the best Archers of Loaf EP. (This is mostly a self-burn.) Anyway, I’m now currently considering updating that to the best Polvo EP, but I’m not sure that that’s appropriately controversial enough (it’s this one). And I just continue to burn myself.
[Read More]I mentioned last time Unsane came up that they didn’t evolve that much between albums. And this song (from their second album) is a good example - this could easily have just slotted into the first album without skipping a beat. Finding your lane and staying to it is fine, of course, but it does mean that maybe you’re not going to want to keep up with a band for forever.
[Read More]Here is today’s music. Some real ugliness, in the cover art of the first album and the lyrics of the last one.
I could have sworn we had hit Unsane before, but the theoretically infallible Five Songs Index says otherwise, so here we are. Unsane were a noise rock trio from New York, part of the same general underground as bands like Helmet, Cop Shoot Cop, and others. I was huge into that entire scene, and really liked Unsane a lot. That, however, wasn’t really what they were known for with most people. No, what they were known for was the cover art on their debut album, depicting a decapitated person on subway tracks. They would continue with the violent album covers, covers which set the mood for the dark music within. And that dark tone affected the band as well, with their original drummer dying of a heroin overdose.
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