Unrest

We Be The Echo, “Shredder of Wheat and Souls”

I have no recollection of getting this record, but I can say: that is a very funny song title.

Unrest, “Firecracker”

On Imperial F.F.R.R. (that stands for “full frequence range recording”), Unrest not only delivered an excellent album of jangly indie pop, but also managed to sneak in some fun experimental stuff. Like this bad boy. This whole album very much does not sound like this, but it’s nice to break things up.

Panopticon, “Blåtimen”

Panopticon, the band that is actually just Austin Lunn, gained attention with Kentucky, where Lunn merged his love of Appalachian folk music with his love of black metal and produced an amalagam of the two, creating one of the most distinctive and interesting black metal albums ever. A couple albums down the road from his breakthrough, and he was still playing both of his loves. The Scars of Man on the Once Nameless Wilderness is a double album, and unlike Kentucky, it’s more two halves rather than a melding of the two styles. There’s a midpoint in the double album where it switches from the black metal to the folk. Lunn is an expert at both, so as long as you’re OK with both styles, it’s a great record. This, uh, is from the black metal half.

Today’s list.

Pavement, “Krell Vid-User”

I’ve complained about the total lack of quality control on Pavements non-album material. For every “Texas Never Whispers” or “Unseen Power of the Picket Fence”, there were a dozen songs like this one lurking in the wings. But hey, at least we’ve got basically every studio dropping ever put on tape by the band lovingly preserved in deluxe editions! That way you can listen to that junk once and never again!