Five Songs, 12/29/2021

Archers of Loaf, “Web In Front”

This is the version from Seconds Before the Accident, the posthumously released live album. Archers of Loaf always toiled in Pavement’s shadow, relentlessly drawing comparisons to them. But they were not imitators, and their four studio albums are all excellent work. “Web in Front” in particular is a masterpiece, just a tremendous rock song, and one of those songs that I need to listen to sometimes and nothing else will do.

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Five Songs, 12/17/2020

The Allstonians, “Mikey Dee”

After the collapse of Moon Ska Records left a smoking crater in the scene, it took some bands a while to get back on track. The Allstonians were one of them, with a gap of 6 years between The Allston Beat and Bottoms Up!. The time didn’t really do them any favors - it’s a decent album, but it doesn’t really have the same energy or charm as the first two, which are some of my favorites from the third wave.

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Five Songs, 12/17/2017

Today starts out as slow as it gets, but don’t worry, that part doesn’t last long.

TV On The Radio, “Black”

Yes, it’s another 15 seconds of silence. TV On The Radio is, thus far, by far the clubhouse leader in “Most Annoying Contributions to Five Songs”.

(NB: I searched for “fifteen seconds of silence” and put that in the playlist instead of, you know, TV On The Radio’s fifteen seconds of silence. Think of it as a cover version.)

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Five Songs, 7/12/2017

Some serious immortals today! And, um, 17 seconds of silence.

Smokey Robinson, “Swept For You Baby”

We’re visiting 1967 with this song, with quintessential Motown artist and arguably the soul behind the soul, Smokey Robinson. It would be futile to list all the tremendous songs he’s been involved with, and I couldn’t really do him justice. Just enjoy this song.

Einstürzende Neubauten, “Partynummer [Live]”

This track comes from Strategies Against Architecture II, a roundup of singles, live tracks, and various unreleased music primarily from the late 80s. In a lot of ways, this documents the end of the first phase of their career, as after this album came out, their music trended away from the power tools and more towards ambient pieces and electronics. It’s a great collection, though, and one of the better entry points to Neubauten’s catalog.

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