Tricky

MC Frontalot, “A Skit About Robots”

Unfortunately for me, I’m exposed to probably an unhealthy amount of what would be described as geek media. That’s largely a consequence of being as into tabletop gaming as I am, and staying on top of new releases and things will inevitably lead to reading about adjacent culture stuff. I’m not proud of it. At any rate, at some point, I had read enough about the existence of nerdcore hip-hop that I decided I should probably listen to at least something. The lead nerdcore guy was MC Frontalot, so I picked up what was his latest album at the time.

The Beatles, “I’m So Tired”

Big same, Beatles.

DJ Krush, “Jikan no Hashi 2”

Do I need to hear “Jikan no Hashi” for this song to make sense?

Abstract hip-hop artist DJ Krush’s 1996 MiLiGHT featured a bunch of collaborations, resulting in a bit of an uneven record. But at the heart of it are always his jazzy beats, so it’s still a pleasant listen.

The Skunks, “The Chairman”

Well, that’s pointless.

Tricky, “Brand New You’re Retro”

Maxinquaye is one of the three pillars of trip-hop, along with Blue Lines and Dummy. What’s striking about all three records, besides them all being great, is kind of how dissimilar they all end up feeling. There’s a murky darkness at the core of them all, but they take different paths to get there. Tricky is probably the most hip-hop of the three, although the swirling noise is still pretty distinctly foreign to the hip-hop of the time.

Jello Biafra with the Melvins, “Those Dumb Punk Kids (Will Buy Anything)”

Just a classic punk gallop here from the Melvins, with Jello’s warbling shout in fine form. Delightful stuff.

Polyrhythmics, “Cracked Pepper”

Those muted horns coming in at :32, that’s just lovely on top of this languid groove. I’ve said it before, I’ll say it agian: we need more horns in music. Gimme some grindcore with a trombone tearing it up. Some hardcore with someone on a trumpet blaring along beside it.

Black Eyed Peas, “Bringing It Back”

I’ve already talked about how different pre-Fergie BEP are from the band people know, and I’m not sure I have a second thing to observe about this record. So read that. Or don’t! Doesn’t matter to me!

Jurassic 5, “What’s Golden”

Best tune off their second record, this is just a total banger. If I can recommend it, just listen to this twice and skip the BEP track. Why not?

Bob Marley and the Wailers, “Midnight Ravers”

By and large, I tend to prefer the early material from Marley, where there’s some more ska rhythms as opposed to reggae. Of course, that doesn’t mean that his later material isn’t brilliant. At any rate, Catch a Fire is pretty early, his first album for Island Records, and it’s the one that really put him on the map for most folks. It’s a tremendous record, and probably where I’d recommend folks start with to move beyond Legend.

Sorry we’ve missed a couple days around here. I’m gonna lie and say it’s not going to happen again. All good now! Here’s today.

Tricky, “Demise”

We’ve heard from Portishead and Massive Attack, and now it’s time to hear from the other giant of trip-hop, Tricky. Tricky’s debut, Maxinquaye, ranks up there with Dummy and Blue Lines as one of the masterpieces of electronic music from the early to mid 90s. Alas, this does not come from Maxinquaye, but from the much later Angels With Dirty Faces, which is only so-so.