They Might Be Giants

Soccer Mommy, “yellow is the color of her eyes”

This seven-minute tune is the centerpiece of Soccer Mommy’s record from last year, Color Theory. This record showed up on a lot of year end lists, and while I think it’s good, I’m a little lyric blind at times, so I’m not sure it’s grabbed me quite the same way it did others. But take a listen, if you like this, you’ll like this album.

Poster Children, “Clock Street”

Unlike a lot of rock bands putting out records in the early 90s, the Poster Children were not signed in the wake of Nevermind. They found their way onto Sire for their 1990 album Daisychain Reaction, putting them ahead of that particular game. Nevertheless, Nirvana’s success put them in a good spot for their followup album, Tool of the Man. It’s more Pixies than Nirvana, with a bit too much brightness to really break through in that scene. But, listening 17 years on, this stuff sounds fresher than a lot of grunge does these days.

Eddie Holland, “Take A Chance On Me”

Alas, no, this isn’t a predecessor of the ABBA song, but now I want to hear Motown style covers of ABBA songs.

The Pietasters, “Without You”

Seems like we’ve had a lot more of the Pietasters live than we have from their studio work, which is kind of a shame. A rational person might ask, well, why don’t I just remove the live record from the collection? To which I say to you, Rational Person, why the hell are you even paying attention to this dumb blog? Shouldn’t you be doing some imaginary figment business or something?

They Might Be Giants, “Put Your Hand Inside The Puppet Head”

While the first TMBG album certainly sounds primitive compared to where they’d end up, there are still plenty of their hallmarks present even with this early song. They were capable of writing catchy tunes from the beginning, they had the clever lyrics, and the charm was certianly present. The first album has too many incidents of wackiness, too many throwaways to be really great, but there are some fine tunes on it.

Helmet, “Better”

Helmet’s debut album on Amphetamine Reptile Records was a savage and self-assured record, and they backed it up by touring heavily and blowing people away. Then, Nirvana blew up huge and the major labels started looking for heavy rock acts to sign to satisfy a market suddenly hungry for them. Every single one of them landed on Helmet, and a ferocious bidding war erupted. Interscope were the winners, signing Helmet to a million dollar deal and sending them into the studio. As a teaser, they released a CD single with three of the songs from the upcoming album (including this one) along with one live track, and I got to see what Helmet would sound like with serious dollars behind them. The answer? Helmet!

Hey, a quick note here before we get to the main act - we went all of November with a post every single day! NOT BAD

Nickel Creek, “Somebody More Like You”

One of my favorite Nickel Creek songs, with the acid lyrics really carrying things, and of course the lovely harmonies are as fun as always. One of the things that I really like about Nickel Creek is how percussive the playing is, so you don’t even really notice that there’s no drums.

Czarface & Ghostface Killah, “Back At Ringside”

Czarface is Inspectah Deck, 7L, and Esoteric, making the sort of superhero/villain inspired hip-hop that MF Doom and Ghostface used to make. So, of course, they have teamed up with both Doom and Ghostface, which makes all the sense in the world. Ghostface managed to outshine the other folks on this album, but it’s still kind of a fun romp.

The Olympians, “Sirens of Jupiter”

The Olympians are a Daptone act featuring a remixed set of the same kind of usual suspects, with members of the Dap-Kings and Menahan Street Band, among others. They’ve put out just one album thus far, and it’s a fine slab of instrumental soul, if not at all groundbreaking. If you need more of that Daptone sound, you can certainly do a lot worse.

Quelle Chris & Chris Keys, “SUDDEN DEATH”

Quelle Chris has been on quite a tear. 2018’s collaboration with Jean Grae, Everything’s Fine, was one of the best rap records of that year. 2019? Guns was again one of the best. 2020 has seen him return to collaborating with Chris Keys, producing Innocent Country 2, another excellent record, this one featuring plenty of jazzy beats. This song will give you a taste of the beats on the record, but you’ll have to wait until some future date to hear Quelle Chris.

Voodoo Glow Skulls, “[Hidden Track]”

There are some things I miss from physical media. Browsing through music stores, looking at cover art, reading through booklets for liner notes and credits, all that stuff was fun. But it’s nice not having to shuffle around CDs, it’s nice not to have to lug stuff around when I want to listen to something different, and it’s really, really nice not to have to deal with stupid hidden tracks.

Big Black, “I Can Be Killed”

From the first Big Black release, Lungs (later collected on The Hammer Party), this was all done entirely by Steve Albini. After this EP, Albini was able to put together an actual band, and the Big Black sound would come together. Despite that, you can still hear Albini’s approach developing on these songs, which read almost New Wave at times.

The Supremes, “A Breathtaking Guy”

Hell yeah!