The Jesus Lizard

Prince Paul, “A Prince Among Thieves”

Hearing this song out of context, the climax/punchline of Prince Paul’s briliant album A Prince Among Thieves, really is kind of jarring. It makes so much sense in the original context but is a strange one outside of it. It just kind of sounds like what it is parodying, a maudlin tribute song from the 90s.

Chokebore, “Line Crush”

This is from the comp Clusterfuck ‘94, a collection of singles, album tracks, and unreleased stuff from three bands (Chokebore, Today Is The Day, and Guzzard) that was intended to fund a tour. It’s really pretty unnecessary, especially when you have most of the material on here with other records. But, you know: in ‘94, I didn’t have the ability to look stuff up easily, so I bought it. I bought basically everything Amphetamine Reptile released, just as a policy. Anyway, Chokebore is the least interesting of these three bands, but this track is OK.

matt pond PA, “Measure 3”

I ran out of interesting (?) things to say about matt pond PA a couple tracks ago. So, as per the standard Five Songs Style Guide, that gives me license to just blather here.

…

Turns out I don’t have anything interesting to say that’s not about matt pond PA either. Oh! The new Belle and Sebastian is pretty good! That’s almost relevant to this band.

Otis Redding, “Try a Little Tenderness”

One of Redding’s iconic hits, this is actually a much older song, more than thirty years old when he recorded what is by now the definitive version. The very slow build up throughout the song is such a delight, a masterclass in pacing.

Mastodon, “Steambreather”

After a couple albums of relatively accessible music in The Hunter and Once More ‘Round The Sun, where Mastodon kind of stepped away from their most elaborate tendencies, they made something of a return to the style with Emperor of Sand. Part of that is the return of the same producer who helped them make Crack the Skye, part of that is the desire to make a concept album again, but whatever it is, it’s my favorite of the latter-day Mastodon albums. Although I haven’t really fully digested the most recent one, so I don’t know about that record yet.

The Jesus Lizard, “Gladiator”

HELL YEAH MAN TIME TO GO BREAK STUFF FUCKIN’ LET’S GO GET DRUNK FUCK SHIT UP

Tha Alkaholiks, “Let It Out”

Tha Alkaholiks stood out from out other rap groups in the mid-90s in California by being mostly playful, in contrast to the dominant G-funk aesthetic at the time. E-Swift’s production also presented a different approach than the dense, deep funk jams of the time. This is from their second record, 1995’s Coast II Coast, which featured a whole bunch of fun guests (Madlib, Q-Tip, Xzibit, others), and is just a solid album.

Bell Witch, “Suffocation, A Burial: I - Awoken (Breathing Teeth)”

First things first, that is a MAGNIFICENT name for a metal song. A roman numeral, a parenthetical, just all kinds of extra junk. Spectacular.

At any rate, the other day I referred to Pallbearer as the standard bearers for doom metal, but I think that’s maybe not quite right. They’re probably the most popular, but Seattle’s duo of Bell Witch is probably more critically acclaimed. A lot of that praise comes more from their 2017 release (Mirror Reaper), but this from 2015’s Four Phantoms gives a good idea of what the band is about. The microgenre they play in is called funeral doom, and you can see why.

Happy birthday to the most important listener/reader of Five Songs! YES, YOU.

The Pixies, “Where Is My Mind?”

I’m not sure a week doesn’t go by where Dave Lovering’s entry into this song doesn’t go through my head. And that’s without talking about how often the rest of the song goes through my brain. Where is my mind? It’s on the Pixies, most of the time.

The Jesus Lizard, “Mouth Breather”

Speaking of drum parts that go through my head all the time, Mac McNeilly’s drums here are indelibly printed into my head. When I die (probably crushed by a stack of board games falling on me), you’ll be able to slice me open and find the chunk of gray matter assigned to keep track of this. This is essentially a perfect rock song.

Polyrhythmics, “The Mendo Mulcher”

I sometimes wonder if I’m going to look back on all the instrumental funk and soul that I listen to these days and think how a lot of it has aged poorly, in the same way that so much of the third wave of ska has aged poorly. But then I remember, none of this shit got popular, so it’s all good! And it allows me to get my horn fix without feeling like a dope! (I still love ska, though.)

SIX SONGS

Buck-O-Nine, “Tear Jerky”

I often wonder at the functioning of the human brain. I frequently have trouble using the correct “M” name for the various folks and dogs who live in this house with me (in my defense, I’ve never used the dog’s name for one of the humans, but that time is probably coming). But I can still whistle along to the horn lines of forgotten ska records. Good use of gray matter there!

I’m not entirely sold on this new version of Ghost Blog that I’ve installed. I feel like the editor is worse. Oh well. Music here!

Doreen’s Jazz New Orleans, “12th Street Rag”

My oldest daughter started learning the clarinet in school last year, so I wanted to get some music in the house to give her some examples of the possibilities with the instrument. Doreen’s Jazz New Orleans was suggested as a possibility, so I picked up this album.

Today’s music.

The Flaming Lips, “Stand in Line”

Prior to turning into the atmospheric, melancholy, fuzzed-out band they are today, the Flaming Lips were an experimental, drugged-out psych band that really didn’t know where things were going, but didn’t particularly care. They released a series of albums that you can charitably describe as “uneven” but most would probably categorize as “unlistenable”. They started going in the right direction with 1990’s In A Priest Driven Ambulance, which gives us today’s song. Somehow, Warner Brothers signed them to a major label based on this record. Anyway, I actually like it better than the immediately following album, and this albums is where to stop if you’re going backwards through the Lips’ discography.