The Doughboys

Autolux, “Becker”

Hm. What is this? I like it! I don’t remember buying it, that’s all. I suspect I picked it up in a sweep of year end lists and then forgot about it. It’s good! Looks like there’s a connection with Failure here, but I don’t know if that’s why I got it. Anyway, enjoy!

Krallice, “Set”

This is from Krallice’s 2020 release Mass Cathexis. Cathexis is one of those words that must disproportionately appear in a metal context - it sounds badass and nobody knows what it means. I mean, I’ve never seen it outside of a metal context! But I must be misremembering things, it looks like only three albums with the word in it, and 12 songs, none of which I’m familiar with other than this album.

Foetus, “Ramrod”

This track was originally the A-side of a single, and it was later pulled onto the compilation Sink. It’s a fantastic example of the mid to late 80s stuff that Foetus was up to, this kind of noir-inflected, orchestrated industrial noise stuff. There’s something familiar about this song, with gestures towards obsolete but recognizable types of music. But it’s all arranged in disquieting ways, like a musical Frankenstein’s monster, all bolts and dead flesh arranged in a groteque parody of life.

When I started doing this, my only real hope was to find and remember some great music from the dusty corners of my own collection, and maybe help somebody else discover a new favorite. Well, mission accomplished on the second point! Feels pretty good. Here’s today’s stuff, maybe you’ll find a new favorite too?

The Blue Meanies, “Camaro Man”

You know what would make ska punk better? A bar band vibe! At least, that’s the conclusion the Blue Meanies reached before recording this song. Also, note that there’s so very little ska left in this track that coming into it cold, you’d never guess that this is ostensibly a ska punk band. I’m moving on.