Five Songs, 1/22/2022

Circus Lupus, “Pop Man”

Post hardcore band Circus Lupus put out two albums in the early nineties, and I probably don’t have to mention that this is a Discord album. The most obvious feature is Chris Thomson’s rambling, half-shouted/half-sung lyrics, but looking past him, Arika Casebolt on the drums is the real highlight. Of the two albums, my favorite is this one, Solid Brass.

The Austerity Program, “Song 17B”

I’ll say, it’s a very good bit to have all the tracks on your album named either “Song N” or “Untitled”.

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Five Songs, 11/17/2021

Mule, “Lucky”

Every now and again, bands will fuse redneck aesthetics with various rock genres, to greater or lesser effect. In this case, Mule bolts that stuff onto noise rock, bolstered by the usual good engineering job by Steve Albini. I don’t think that it’s really inventive enough to make the three-piece lineup shine, and I’m not super attracted to the hillbilly stuff, so, uh, I guess this isn’t great.

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Five Songs, 5/17/2021

Boris, “Spoon”

2011 was an insanely productive year for Boris, with four albums showing up that year, all of them being unusual in some way from their standard. To the extent that Boris has a standard. Anyway, this is from New Album, which continues in the grand tradition of Boris albums being named things that are a pain in the ass (one of the other 2011 albums was called Heavy Rocks, which is the second time they’ve named an album that). At any rate, New Album is sort of a remix, with much of the material here being reworked songs from Heavy Rocks (2011) and Attention Please (another of the 2011 releases). If this is all confusing, welcome to the Boris discography!

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Five Songs, 3/16/2018

And the beat goes on!

Terrace Martin Presents The Pollyseeds, “Wake Up”

From Sounds of Crenshaw, Vol. 1, this album is from producer Terrace Martin, who is best known for his work with Kendrick Lamar. On this album, he also has other folks in the Lamar orbit, such as Kamasi Washington (whose playing on the sax you’re listening to). A mix of R&B and jazz, it’s a very interesting album, and absolutely worthy of further exploration, although don’t expect anything as banging as, say, “LOYALTY.”

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