Swingin' Utters

Swingin’ Utters, “Here We Are Nowhere”

A while back, I wrote some code to pull data from Discogs for my collection to see what year albums were released for another project that I was working on. That project might still see the light of day! But I’m wondering if there’s some way I could pull data for genres. Discogs doesn’t have genre tags in their structured data, but I could scrape the band description for specific words, I suppose. It would be neat to see what percentage of my collection is, say, punk.

Lambchop, “Up With People”

A difficult question to answer is “what is the best Lambchop record?” Part of the problem here is that they’ve evolved gently over their existence, but don’t really have recognizable periods where one could really say that that style is your favorite. Another problem is their consistency, where the albums are pretty uniformly excellent, but there’s not really noticeable jumps and dips. It’s all a big, good plateau.

Mastodon, “The Motherload”

Once More Around The Sun is definitely a Mastodon album, what with all their stylistic tics being present. But for the most part, it’s all packaged in a much more accessible way. Much of this song, for example, really is just a half-step away from something like Soundgarden. I, of course, prefer the denser and more elaborate songs of their earlier albums, but this is still a decent listen.

WIFE, “Salvage”

WIFE is the new band started by James Kelly, after the sublime black metal band Altar of Plagues disbanded. He clearly wanted to pursue a different direction, focusing on electronics to make his noise. It does share some of the same oppresive atmosphere of Altar of Plagues at times, and What’s Between (the only album so far) is a very interesting record.

Fountains of Wayne, “Michael and Heather At The Baggage Claim”

After three great records in a row, Fountains of Wayne put out Traffic and Weather, which on the surface seems similar, but it’s just not in the same league. The songs are shallower, they’re not as catchy, they’re not as sly. It’s just a big step down, which is a shame. The record is OK, and I do listen to it occasionally. But mostly, I do that just to check and see if my opinion has changed. It has not yet.

Today!

The Rolling Stones, “Stray Cat Blues”

Because they hung around so long and turned into basically Rolling Stones Inc., a licensing corporation with a neglected music production arm that would occasionally squeeze out a desultory album, it’s easy for folks of my generation (old, but not super old) to lose track of the fact that for for a while there in the late 60s and early 70s, the Rolling Stones were pretty amazing. The run from Beggars Banquet through Exile on Main Street is one of the foundations of modern rock, and still sounds pretty great today.

Pretty good one today.

Public Enemy, “Give It Up”

Pretty sure I’ve talked about how uneven Muse Sick-N-Hour Mess Age is, and it really is. It’s the album that marks the sharp decline of PE from the legendary band to the often baffling outfit that’s still out there still making stuff. But the album really has some peaks. This is one of them. The beat is dense and bouncy, Chuck kicks several different flows, and they basically capture their glory days. The verse that kicks off “I never did represent doin’ dumb shit” is one of my favorite verses from him ever.

125 entries in this series and counting. Is everybody still having fun? I am! Also: I have music for you!

Craw, “Drugs”

You know, I should really be backing more music on Kickstarter. The Craw reissue project is one of my very favorites among things I’ve backed on the site.

Elliot Smith, “Ballad of Big Nothing”

Indie rock genius Elliot Smith here with a song from his best album, Either/Or. Discussing his biography always makes me sad, given his tragic early departure at 34, possibly by suicide (it was never definitively ruled a suicide). And there I go, starting to discuss his biography. Well, Either/Or is one of the triumphs of the 90s, and is just a tremendous album front to back.

Been a little while since we’ve hit any ska. Fixed that today! PICK IT UP, PICK IT UP, PICK IT UP!

The Scofflaws, “Spider On My Bed”

Another New York third-wave band, the Scofflaws were distinguished by…well, let’s be honest, nothing. But, they had solid chops, were amusing without being too smug, and wrote some good songs, so they’re worth a go. This is from Ska In Hi-Fi, their best album, featuring as it does odes to nude beaches and William Shatner.