SUMA

Another month in the books here! NOT BAD.

Boss Hog, “Winn Coma”

Straight-ahead rock from the most straight-ahead record Boss Hog made.

Krallice, “Inhume”

The third Krallice album, Diotima, was the last they did with Profound Lore before striking out on their own. It contains the usual elaborate black metal craziness, and while it’s good, it’s maybe the Krallice album that sticks with me the least.

Ulthar, “Undying Spear”

Shuffle is in a metal mood these last couple days. This is from the 2020 album Providence, and if you were wondering what black metal vs. death metal was like, these two tracks might help. The pounding riffs here are very death metal, as opposed to the tremelo picking madness of the Krallice song. The vocals here are kind of black metal, though.

Here’s today!

Jeanne And The Darlings, “How Can You Mistreat The One You Love”

How sweet is that Memphis sound? This is a song from late in the Atlantic run for Stax/Volt, from 1967. That’s a tasty break in this song! Jeanne and the Darlings just ended up recording four singles in their career, so there isn’t a lot of followup to this tune.

Einstürzende Neubauten, “Bildbeschreibung”

There have been times in my life when I’ve bought a record that was intimidating, when I wasn’t really sure what I was getting into. Buying this album, Strategies Against Architecture II, was one of those moments. I had heard of the band, in mostly hushed tones, and I wasn’t really sure I was up for it. So strange! So noisy! So German! I didn’t honestly know if I was up for it. And the album was, indeed, something pretty far beyond what I could have expected. But I certainly liked it!

I continue to love this project for digging up things that I just forget to listen to. I should really just devote a certain percentage of my listening to shuffle all the time. Like, maybe a few songs a day? Five sound good to anybody? Music ahoy!

The Housemartins, “Step Outside”

Jangly pop band from Hull, the Housemartins played beautiful songs, driven by Paul Heaton’s singing. They especially were known for witty, often sarcastic lyrics, as well as their leftist politics. They released two proper albums, both fantastic, and later had a singles/rarities collection, Now That’s What I Call Quite Good, which is where this song comes from. I recommend all three records heartily. Paul Heaton would go on to form the Beautiful South, whose first album stands with the Housemartins albums, and Norman Cook would later be known as Fatboy Slim.