Stax/Volt

Here’s today!

Jeanne And The Darlings, “How Can You Mistreat The One You Love”

How sweet is that Memphis sound? This is a song from late in the Atlantic run for Stax/Volt, from 1967. That’s a tasty break in this song! Jeanne and the Darlings just ended up recording four singles in their career, so there isn’t a lot of followup to this tune.

Einstürzende Neubauten, “Bildbeschreibung”

There have been times in my life when I’ve bought a record that was intimidating, when I wasn’t really sure what I was getting into. Buying this album, Strategies Against Architecture II, was one of those moments. I had heard of the band, in mostly hushed tones, and I wasn’t really sure I was up for it. So strange! So noisy! So German! I didn’t honestly know if I was up for it. And the album was, indeed, something pretty far beyond what I could have expected. But I certainly liked it!

Today!

Sam & Dave, “A Place Nobody Can Find”

Early stars on Stax, Sam & Dave are always super enjoyable to listen to, and this song is of course no exception.

Knxwledge, “Bodies[Totw]”

Knxwledge’s solo album, Hud Dreems, is all instrumental and most of the tracks are on the short side. In a lot of ways, it sounds like a portfolio rather than a proper album, with Knxwledge presenting his skill in making beats as an audition. It’s perfectly pleasant, but as with most abstract hip-hop, not super memorable.

Confidential to Megan: there’s a playlist on Plexasaurus Rex for today! For the rest of you, you have to first put up with my crap for about 25 years, and then you can have a private playlist. In the mean time, you can at least get the YouTube-ized version.

Pussy Galore, “Dick Johnson”

There are lots of moments, especially on Dial ‘M’ for Motherfucker, where Pussy Galore presented the vision which Jon Spencer would bring to full fruition with the Jon Spencer Blue Explosion. There’s a pretty straight line from this song to the tunes on the first JSBX album, for instance. Those are also invariably the most interesting Pussy Galore songs.

A bit scattered today.

Dog Faced Hermans, “Love Is The Heart Of Everything”

“Anarchist” is always kind of an interesting descriptor when applied to a band. For whatever reason, there are some bands where that’s called out for them, and I’m sitting here thinking that I’ve pretty much liked every band I’ve ever encountered that has been described as anarchist. The Dog Faced Hermans, for instace. I’m looking at this list of anarchist-punk bands from Wikipedia (of course there’s a list on Wikipedia), and it’s pretty bitchin’, even if I question the inclusion of some bands. Black Flag! The Dead Kennedys! Napalm Death! NoMeansNo! Propagandhi! That’s some good shit, y’all.

Hey, y’all! I’m going to be in Vancouver this weekend for SHUX! If you happen to be going, say hi!

Today’s music!

Boogie Down Productions, “Remix For P Is Free”

Criminal Minded is at the root of so much of New York rap. It’s really one of the foundational documents of the East Coast scene. There are so many echoes of this album in so many other records that it’s almost hard to even pick them out. At this point, the original sounds like a cliche, which is unfair, as this record is where all that stuff comes from.

Good one today! Well, if you ignore that we have a rap skit.

De La Soul, “Skit 5”

The closer for De La Soul Is Dead, the final skit that imagines some bullies discovering stealing the album and deciding it blows. De La Soul was clearly reflecting on a break they were attempting from the first album, of trying to shed their image as rap’s flower children. While De La Soul Is Dead contains plenty of shimmery, bouncy, light tunes, it also features darker material like “My Brother’s a Basehead” and (especially) “Millie Pulled A Pistol On Santa”, a tragic tale we’ll talk about when it comes up.

Welcome to Five Songs, where we have six songs for you!

Kid Koala, “Cardboard Stars, Sea Shells (Page 100)”

A repeat! Since there’s not much to say about it exactly, I’ll instead mention that Kid Koala did the score for the video game Floor Kids, which I haven’t tried yet, but will.

Dillinger Escape Plan, “Weekend Sex Change”

Listen to the space on those drums. They sound so live! Awesome.

Ihsahn, “After”

Leading force behind Norwegian black metal legends Emperor, whose In The Nightside Eclipse is one of the touchstones of the genre, Ihsahn has continued forward as a vital force in metal over the decades since. His solo work has tended more towards the progressive and symphonic end of things rather than the black metal grime of his earlier career, but he’s shown a pretty wide range in general.

Today!

Mono Men, “Don’t Know Yet”

Garage rock revivalists Mono Men, from Bellingham, WA, were dedicated to the proposition that back-to-basics rock was all anybody really needed. They were sufficiently dedicated to the idea that not only did they put out a ton of albums on their own, but they formed Estrus Records to put out records by like-minded bands (like The Mortals). In one of the bummers of indie rock, the building where they kept the masters for all of the Estrus records releases burned down, although I suppose that matters less in the digital age than it might have in previous eras.

All frequent fliers today!

Public Enemy, “Lost In Space Music”

This comes from Man Plans God Laughs, which is deep into the long run of somehwat undifferentiated albums that Public Enemy has been making for years and years now. They’ve lasted long enough and produced enough records that they have way more non-peak albums than they do peak albums. Which is kind of a bummer. It’s also hard for me to fairly evaluate most of these these records. They’re competing with such indelible memories.

Today!

BIG|BRAVE, “Look At How The World Has Made A Change”

Au De La, the album by BIG|BRAVE that we’re listening to, is an odd beast. Mostly drone, kind of post-rock, sort of metal-y, it’s atmospheric and pounding and pretty different from most stuff out there. It’s not the kind of thing I always want to listen to, but it’s good stuff at times.

Claw Hammer, “The Spawning Of A New Error”

We’re discussed how Claw Hammer made their first album a full-length cover of Devo’s first album. Well, this is the first track on that album, before they launched into the thing. It kind of describes the idea. Oh, and they called it Q: Are We Not Men? A: We Are NOT Devo!.