Five Songs, 7/2/2022

Gob, “Cleansing”

This song sounds weird in only one earbud.

Green Day, “Nice Guys Finish Last”

nimrod. is the Green Day album I listen to the least. It’s not because of the songs that break out of the pop punk mold, but because the punk songs on it just sound kind of worn out. This song, for instance, sounds like a third-generation xerox of a thing from Dookie. Even on their final record, American Idiot, they brought more energy to the tunes.

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Five Songs, 12/8/2021

Black Eyed Peas, “Bringing It Back”

I’ve already talked about how different pre-Fergie BEP are from the band people know, and I’m not sure I have a second thing to observe about this record. So read that. Or don’t! Doesn’t matter to me!

Jurassic 5, “What’s Golden”

Best tune off their second record, this is just a total banger. If I can recommend it, just listen to this twice and skip the BEP track. Why not?

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Five Songs, 12/16/2020

Dr. Ring-Ding & The Senior Allstars, “Call Di Doctor”

Just a reminder: this is a white dude from Germany.

Sly & the Family Stone, “Poet”

Sly & the Family Stone’s 1971 record There’s A Riot Goin’ On is a landmark of soul, rock, and funk, even as it’s essentially impossible to put into any of those categories. The band’s optimism on previous records had essentially evaporated, and this record also marked the point at which Sly Stone’s drug issues and interpersonal problems starting affecting the music. The album was recorded with overdubs in the studio, with Sly handling most of the playing, instead of the rest of the band playing it directly. It’s murky, dark, and often strange, and it’s completely compelling.

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Five Songs, 3/3/2018

Lots of new folks today.

Clem Snide, “Accident”

For some reason, “alt-country” as a label always kind of irritates me, even though the thought it’s expressing (country music that stands distinct from the popular variation) is directly analagous to alternative rock, which doesn’t bother me. The lesson, as always: I’m dumb. Anyway, Clem Snide (named after the character from Naked Lunch) is absolutely alt-country. Propelled by Eef Barzelay’s passionate singing and Jason Glasser’s multi-instrumental prowess, Clem Snide cranked out five outstanding albums in the late 90s and early 2000s, starting with this record (You Were A Diamond) up through 2005’s End of Love. They started to lose some steam after that, but at their peak, they were incredible. I mean, just listen to this!

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