Neat! Lookit all the twos!
I don’t usually have a ton to say about these iconic Motown hits, based on my assumption that people have all heard them a thousand times and are intimately familiar with them. But I’m not sure how true that is, as I reflect on it. Did the generation after me have oldies stations on in cars, restaurants, and other public places as they grew up? I’m not sure, and it’s possible this stuff is more novel. Well, anyway, enjoy!
[Read More]Yesterday, I mentioned I don’t listen to Pegboy much any more, and it’s largely because I’ve stepped away from most of the melodic punk I used to listen to. When I put on a punk record, I usually go for something a little more upbeat and poppy these days. Something like this! And of course, Slapstick had horns, the other thing from yesterday. And sure enough, I actually have listened to this record recently.
[Read More]We don’t get a ton of emo around here. Not because I dislike it, but I think mostly because when emo has had its various peaks, I was kind of listening to other stuff, and sort of missed out on a lot of it. I’m definitely the target audience! I’ve sat in a completely dark room listening to Slint’s Spiderland, which is extremely My Emotions Are Hard To Handle. At any rate, I generally like emo, and Benton Falls’ two albums are really very good. And: special shout-out to that song title. That is TREMENDOUS hustle right there. Primo sad boy shit.
[Read More]Alex Chilton, of Big Star, is one of the leading influences on a ton of later rock bands in the underground. Here, for instance, you can really hear the Replacements. This song was on his solo record Bach’s Bottom, but this actually comes from the excellent Ork Records: New York, New York compilation.
This is what ska-punk should sound like when it’s done well. Lots of speed, lots of energy, it gets in and out without hanging around too long. For your “Operation Ivy substitute”, you really can do so much worse.
[Read More]Finally, we get some peak Beautiful South! This is the first song from their debut album, and my god, it’s such a good song. Paul Heaton’s sardonic lyrics are delivered so perfectly, the piano is gorgeous, I just adore it. This was a regular part of my high school rotation, and it just made perfect sense to play this right after the Dead Kennedys.
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