Rockabye Baby!

Quicksand, “Thorn in my Side”

Post-hardcore might be the genre that I enjoy the most that I’ve lost the most touch with, if that makes sense. There was a time when I listened to more or less all the post-hardcore that there was, devouring it all and staying on top of the scene and bands. When I kind of became dislocated from music a bit in the early 2000s, I lost track of a lot of things, and then as I gradually found ways to stay on top of music in the post-Usenet-and-magazine/pre-social-media era, I just never got traction with any of this stuff again. Is it still being made? Are there still post-hardcore bands out there kicking ass? I’m sure there are, and I’m equally sure I’m unaware of them. Well, you know, other than Quicksand’s reunion record.

Advertisement, “Pretty Money”

I’m a huge Seattle homer, so when I mention that this is a Seattle act, just deflate your ratings appropriately. But after a charming EP (on cassette!), they put out their first LP in 2020, and it’s quite good. Their lineup is pretty extensive (six people), resulting in some nice, full arrangements for their tunes. I don’t know that it’s surprising, but I just enjoy having some rock sometimes, especially from the Pacific Northwest. Listen local!

Rockabye Baby!, “I Shot The Sheriff”

Oh god.

Mary Wells, “Bye Bye Baby”

MUCH BETTER

The Frames, “Headlong”

This is the only record I have from The Frames, and I have zero recollection of this band ever existing. I sometimes think Plexasaurus Rex is gaslighting me. At any rate, this DOES sound like something I would have picked up, and a little bit of research suggests that Steve Albini recorded this, which is another reason. I can’t judge the entire album (because I don’t remember ever listening to it), but this has a little bit of a vibe similar to the Wedding Present’s slower tunes. Not bad!

Son Volt, “Back Into Your World”

Can I talk about some of the strange artifacts that my music collection has accumulated over the years? Oh, that’s right, you can’t stop me! The process of ripping CDs (often with dodgy info databases), matching via iTunes and Amazon Music, storing and then re-downloading from Amazon Music, moving from computer to computer, and a bunch of other things have caused mutations in a lot of this stuff. It’s mostly harmless, but every now and again a tic is interesting or odd. This album has one of those mutations: the album name is recorded as Straightaways (Warner Bros) for some reason, suggesting that someone once input it that way into a database and these tracks picked it up. And you may think, well, did they release this album on multiple labels? Nope, every version in Discogs is from Warner Bros. Somebody apparently just annotated all their album names with labels for some goblin reason, and it got swept up into some aggregated database, and now it’s here perplexing me.

Rockabye Baby!, “Beautiful Day”

This is ostensibly a cover of the Green Day song. This was a gift to us, I think, a while back. And I suppose you can see the intended joke here - it’s lulliby music! But also Green Day! Har! But overall, this is so far from anything resembling the original that you’d probably have to explain it to anybody to attempt to convey the levity. Please try to slip it in-between the giggle-snorts.

Today!

Mono Men, “Don’t Know Yet”

Garage rock revivalists Mono Men, from Bellingham, WA, were dedicated to the proposition that back-to-basics rock was all anybody really needed. They were sufficiently dedicated to the idea that not only did they put out a ton of albums on their own, but they formed Estrus Records to put out records by like-minded bands (like The Mortals). In one of the bummers of indie rock, the building where they kept the masters for all of the Estrus records releases burned down, although I suppose that matters less in the digital age than it might have in previous eras.

Five Songs International took a break yesterday, which is going to happen occasionally. I’m going to try to never miss two days in a row, but I’m sure that’ll happen as well. But I’m back today with some new tunes!

Ulver, “The Spirits That Lend Strength Are Invisible”

From black metal beginnings, Ulver has wandered around unpredictably among various styles, with seemingly the only thing tying some of them together is a penchant for drama. This piece, from Atgclvlsscap (and yes, I had to cut and paste that), finds the band working in an ambient mode, obviously far away from the black metal thunder of their origins.