Queen

Black Flag, “Loose Nut”

We’ve had this song before, and I told the store about how I bought it at random after deciding I should probably hear some Black Flag. That was the sort of thing we did in those days, when the Usenet wasn’t really searchable in any useful way, and you had to rely on either word-of-mouth, college radio, or magazines to learn about stuff. I would just take a flyer on records, because that was what you did. Sometimes it worked out, sometimes you ended up with a so-so Black Flag record.

Murs, “Intro”

As usual, I don’t have a lot to say about intro tracks. This is just setting up the framing device for the album. I will say that if it’s going to come up, it’s fun as the first song in our playlist today.

The Sorcerers, “Cave of Brahma”

Hell yeah, Afro-beat. Nice choice to follow-up! This has a lovely kind of cinematic approach here that sounds sort of like it’s a soundtrack to something, which is a neat trick to pull off. Both Sorcerers records are a good time, I recommend them.

The Young Fresh Fellows, “A Fake Hello”

Tad Hutchinson is really going the extra mile on the drums here. He doesn’t have to, Scott McCaughey’s singing can carry this little tune. But Hutchinson was always the Fellows’ secret weapon, I love his work across the board.

Queen, “Body Language”

Hot Space contains the magnificent “Under Pressure”. It also contains a bunch of other songs, about which the less said, the better.

Skinny Puppy, “Riverz End”

At this point, I find it charming when I find an edgy-z spelling. This was cutting edge stuff at one point. You saw a “z” instead of an “s”, and you knew you were in for some attitude.

Foetus, “Sick Minutes”

Limb is a compilation of un-released material from Foetus pulling from the very early years of the band. It’s an interesting historical document, showing where J.G. Thirlwell came from, but it’s largely going to only be interesting to fellow Foetus sickos.

SOB X RBE, “Paramedic!”

Kendrick Lamar assembled the soundtrack to Black Panther, which ended up being a set of songs that are more inspired by the movie than necessarily being a traditional soundtrack. Kendrick is involved with everything, taking different roles depending on the song. As a result, even though there are a lot of different artists, it still feels like a coherent album. It’s not quite as magnificent as his recent proper albums, but really, what could be?

American Music Club, “Nightwatchman”

Speaking of night watchmen, we watched Night at the Museum with the kids last night, and I was kind of pleasantly surprised that the effects didn’t look too janky. I mean, sure, the whole premise was ridiculous, but I thought there was a good chance that it was going to look so stupid as to totally jar me out of things. But no, held up just fine as a family movie.

Music!

Less Than Jake, “Automatic”

Forget the horns, forget the rest of the surrounding scene, this is just a hell of a fine pop-punk song. Chris DeMakes turns in a great vocal performance here, and there’s nothing I’d change about this tune.

Queen, “Soul Brother”

Geez, speaking of vocal performances. This is one of the bonus tracks on the deluxe re-issue of Hot Space, and it’s a fun addition. By and large, bonus tracks don’t add a ton, but frankly, that album was kind of a mess in the first place, so having a fun vamp like this added is an improvement.

And another one!

Aesop Rock, “No Regrets”

Aesop Rock’s Def Jux debut, Labor Days, is widely considered to be his best record. It’s the one where the beats really started keeping up with his complex, wordy flow. Rock can be a little exhausting to listen to at times, but in the right mood, he’s a lot of fun.

Bim Skala Bim, “For The Turnstiles”

This track, from How’s It Goin’?, is an example of Bim Skala Bim at its best. A warm, organ-driven groove, some fun trombone bits, a cheerful tune - it’s just super pleasant.

Good one today!

Queen, “The Prophet’s Song”

I’ve made the comparison before, but I don’t know if I’ve made it here or not: power metal is just Queen played fast. All the over-the-top theatrics and corn are there in spades. Sure, there are usually fewer elves in your average Queen song, and there are more wheedly-weedly solos in power metal, but nevertheless, they’re basically the same.

Sharon Jones, “Pick It Up, Lay It In The Cut”

The first Sharon Jones record was rawer than what would follow, which is A-OK by me. Not to say that all of her records aren’t great, but there’s something about the filthy sound of those drums that gets me going.

I’m pleased to announce that I managed to post an entry for every day this month. Not bad! I can’t imagine I’ll manage to keep it up for the whole year, but still: solid work, me! Here’s our final entry for January.

Danny Brown, “Generation Rx”

It seems like just yesterday I was saying I liked it when electronic music met rap, and this beat here is a fine example of that kind of thing. This is from Detroit rapper Danny Brown’s debut album, The Hybrid. I haven’t had this album long, and damn, there’s some bad shit in these lyrics. Hadn’t noticed that before.