Pussy Galore

Pussy Galore, “Handshake”

Somehow, Pussy Galore manages to sound greasy. Some of that is the trashy production - the clattering drums, the bullhorn vocals, the squalling guitars. But even beyond that, there’s a feel to things that kind of make you feel like you need a bath after listening to it. It’s great!

Killdozer, “Space: 1999”

There’s nothing more reliable in this world than Killdozer grimly pounding away. It’s always going to sound like power equipment being used improperly, and leave you feeling like perhaps you shouldn’t have listened to it.

Mary Wells, “My Guy”

It’s a trifle, but it’s a very sweet one.

Muddy Waters, “You’re Gonna Need My Help”

We like to goof around with me not knowing shit about jazz around here, but I know so, so much less about blues.

Pussy Galore, “Solo = Sex”

Those trash can drums, disorganized but confident vocals, and primitive grooves are all hallmarks of Pussy Galore that Jon Spencer would carry forward and refine in JSBX, but even the neolithic version is plenty of fun.

Pigs, “Bug Boy”

Side project of Unsane bassist Dave Curran, it’s easy to see the lineage here. This is just pure noise rock in the NYC form, all splattered riffs and yelling. So, yeah, of course I like this. Both Pigs albums are totally worth listening to if you’re a noise rock person.

Iron & Wine, “Pagan Angel and a Borrowed Car”

Iron & Wine is one of those acts where I always enjoy listening to his stuff, and simultaneously have trouble distinguishing it. If you asked me what made this album (The Shepherd’s Dog) different from his other work, I’d have to kind of shrug a little bit. It’s all good, but it’s tough to say what my favorite is.

Conor Oberst, “Get - Well - Cards”

Conor Oberst is known primarily as the guy fronting Bright Eyes, a band that I never got into. Like, I don’t even have one of their albums in the collections. No real reason, mind you. Hell, they might even be a band I’d like. So, how did I end up with one of his solo records? Excellent question! Uh, well, I’m VERY stupid, and incredibly impressionable. So, I’m sure at some point I read a positive review and thought to myself “maybe it’s time to try out some of this guy’s music”! What do I think? I honestly had forgotten I owned it.

Confidential to Megan: there’s a playlist on Plexasaurus Rex for today! For the rest of you, you have to first put up with my crap for about 25 years, and then you can have a private playlist. In the mean time, you can at least get the YouTube-ized version.

Pussy Galore, “Dick Johnson”

There are lots of moments, especially on Dial ‘M’ for Motherfucker, where Pussy Galore presented the vision which Jon Spencer would bring to full fruition with the Jon Spencer Blue Explosion. There’s a pretty straight line from this song to the tunes on the first JSBX album, for instance. Those are also invariably the most interesting Pussy Galore songs.

Today’s songs.

David Bowie, “Sound and Vision”

A song from Low, the collaboration with Brian Eno that I brought up last time. A record jammed full of synths and ideas, this might be the most conventional and accessible song on the album. I’ll be honest, I kind of don’t feel totally qualified to talk about Bowie. I like a lot of his music, but I’m far from an expert.

Pussy Galore, “Nyc:1999”

This song gives a good idea of what Pussy Galore sounded like when they kind of had their shit together. To the extent their shit was ever together. Manic garage rock with atonal shouting was basically the order of the day.

Today is not the most coherent set.

Wu-Tang Clan, “The M.G.M.”

A repeat! Six songs today, people!

Gorguts, “Nostalgia”

This comes from Obscura, a landmark album in death metal where Gorguts explored how dissonant and downright strange they could make a metal album. This kind of unhinged musical exploration is where I’ve always found my favorites in death metal, and this kind of spastic noise really has as much in common with the avant garde as it does with traditional metal. This kind of thing can take a bit to absorb, as it’s disorienting to listen to at first, but I find it all really interesting.