Presidents of the United States of America

Otis Redding, “Love Have Mercy”

Man, Otis was really a force of nature.

The Presidents of the United States of America, “Froggie”

This insistent fever dream of a tune is an excellent example of why the Presidents were so much fun. It keeps barreling forward with on its rhythm section, and the lyrics don’t make any sense at all, but it takes those elements and transforms its nonsense into…not sense, but into something that rhymes with sense. It’s weird, but not for the sake of being weird. It’s weird because that’s how weird it needed to be to tell the story of a frog ruined by rock stardom. No weirdness is wasted.

matt pond PA, “Measure 3”

I ran out of interesting (?) things to say about matt pond PA a couple tracks ago. So, as per the standard Five Songs Style Guide, that gives me license to just blather here.

…

Turns out I don’t have anything interesting to say that’s not about matt pond PA either. Oh! The new Belle and Sebastian is pretty good! That’s almost relevant to this band.

Michael Kiwwanuka, “Rule the World”

There are times, doing this, that I feel like a real fraud. Who am I to be writing this stuff up? I’m not a musician, I’m not a writer, I have no training in any of this, I don’t fundamentally know what I’m talking about. On many levels. I feel like I’m just an ape, ooking at the pretty noises.

This feeling eventually passes, usually, but it’s hitting me pretty hard today.

Vertigo, “Sit Down and Shut Up”

Psychedelic noise rockers Vertigo had one final EP in 1993, Driver #43, which might have been their best single release. By this point, they were playing pretty tight, and everything was really hitting. It’s a shame that they never had the chance to build further on this record.

Bummer, “Reefer Sadness”

Noise rock today! Bummer hail from Kansas, and it’s very Midwestern in style. All burly growling guitars and shouting, descended from the Chicago tradition. This is a satisfying record if you like the style.

Mule, “Lucky”

Every now and again, bands will fuse redneck aesthetics with various rock genres, to greater or lesser effect. In this case, Mule bolts that stuff onto noise rock, bolstered by the usual good engineering job by Steve Albini. I don’t think that it’s really inventive enough to make the three-piece lineup shine, and I’m not super attracted to the hillbilly stuff, so, uh, I guess this isn’t great.

Claw Hammer, “Gut Feeling”

One of the things that we rail against around here are pointless covers. Especially in an age when so many of the originals are easily accessible, a cover really needs to add something. This is doubly true when it’s something truly beloved or original. However, it is possible to wrap around on the pointlessness scale of things and loop back around to cool. Claw Hammer turn that neat trick by covering the entirety of Devo’s landmark Q: Are We Not Men? A: We Are Devo!, playing it pretty straight. Jon Wahl’s oddball strangled wail is the primary distinguishing factor, but otherwise, it’s Devo’s record. Just listen to Devo! And yet…there’s a strange attraction. It’s pretty bizarre alchemy.

The Cinematic Orchestra, “Flite”

Last time, I described this band as sounding like a movie soundtrack from a Ninja Tune band. Not a bad description! But this sounds like maybe something that got left off of Music Is Rotted One Note. Still good!

Inquisition, “Darkness Flows Towards Unseen Horizons”

Don’t listen to these assholes! This album is from 2013, which I picked up before a bunch of bad shit came to light about them, but fuck these guys!

Goin’ with a theme today!

Sleater-Kinney, “Buy Her Candy”

Now, seriously, what’s the point of a Sleater-Kinney song without Janet Weiss?

Andrew Bird & His Bowl of Fire, “Candy Shop”

Very early material from Andrew Bird, when he was still recording with a band credited as His Bowl of Fire. This version lasted for three albums, with the first two albums staying pretty close to a hot jazz formula like you hear on this track. The third album found the band adding some more rock influence, to great effect, leaving the first couple albums as just sort of a fun dead-end. He does have many of his strengths on display here, though, especially his great vocal delivery, the maserful violin, and the dynamic songwriting.

Throbbing Gristle, “Beachy Head”

Industrial pioneers Throbbing Gristle’s third album, 20 Jazz Funk Greats, is their best and most influential album. Ranging widely around the musical map, the restlessness is part of what makes it great. This song, for instance, is just a bit of atmospheric disquiet named for Beachy Head, a notorious suicide location that the band is actually pictured standing on for the cover. It’s easy to forget that this is from 1979.

Look, this is every day-ish.

A Forest of Stars, “A Blaze of Hammers”

This is A Blog of Gummi Worms.

Kings Destroy, “W2”

I want to say this was from a Humble Bundle? It’s kind of plodding, and sort of sounds like something that should only be played in the background by some kids playing D&D.

The Channels, “To The New Mandarins”

After the end of Jawbox, J. Robbins primarily focused on being an engineer and producer. This did not stop him from leading a whole string of bands, including Burning Airlines, Office of Future Plans, and today’s band, The Channels. Surprising nobody, this sounds a lot like a J. Robbins record. To my ears, it sounds the most like the final Jawbox record. The Channels only put out this one album, but it’s a good one, and it should go on your list if you like his stuff.