Pinkwash

Pinkwash, “No Real Witness”

I feel like every time Pinkwash comes up, I say something equivalent to “hey, this is neat, I keep forgetting about this!” I wish I could say that I’d grown past that, but no, I do still keep forgetting about this. It’s a fun record! But, I can report some growth: I checked to see if they have another record. No, they do not. Still!

Firewater, “The Beat Goes On”

Across a discography that stretches across seven albums ranging from incredible to great, there’s one that stands out. Mostly by being kind of superfluous. This is from that record, 2003’s Songs We Should Have Written. It’s a covers record, and it’s not bad, but it just doesn’t rise to their original records.

The Wedding Present, “Nobody’s Twisting Your Arm”

The first Wedding Present album is a perfect gem, full of the best kind of frantic jangle pop. And, of course, David Gedge’s heart breaking about every two minutes.

Emperor, “A Fine Day To Die”

Looks like this is the first time we’ve had Emperor on here, so we get to go over the history of yet another important and deeply shitty bunch of Norwegians. The lineup that produced In The Nightside Eclipse featured Ihsahn and three dudes who wound up in prison, for burglary, arson (of a historic church), and murder respectively. The album reflects a lot of that ugliness, reveling in horrible sounds and dark lyrical themes. But, for all that, it’s maybe the most influential black metal album of all time. Maybe because of all that. Many following bands cribbed their style from this record, with its chilly darkness and bleak relentlessness.

The Cinematic Orchestra, “Flite”

Last time, I described this band as sounding like a movie soundtrack from a Ninja Tune band. Not a bad description! But this sounds like maybe something that got left off of Music Is Rotted One Note. Still good!

Inquisition, “Darkness Flows Towards Unseen Horizons”

Don’t listen to these assholes! This album is from 2013, which I picked up before a bunch of bad shit came to light about them, but fuck these guys!

Son Volt, “Back Into Your World”

Can I talk about some of the strange artifacts that my music collection has accumulated over the years? Oh, that’s right, you can’t stop me! The process of ripping CDs (often with dodgy info databases), matching via iTunes and Amazon Music, storing and then re-downloading from Amazon Music, moving from computer to computer, and a bunch of other things have caused mutations in a lot of this stuff. It’s mostly harmless, but every now and again a tic is interesting or odd. This album has one of those mutations: the album name is recorded as Straightaways (Warner Bros) for some reason, suggesting that someone once input it that way into a database and these tracks picked it up. And you may think, well, did they release this album on multiple labels? Nope, every version in Discogs is from Warner Bros. Somebody apparently just annotated all their album names with labels for some goblin reason, and it got swept up into some aggregated database, and now it’s here perplexing me.

Pinkwash, “Gumdrop”

Legitimately don’t remember picking this up. Apparently this is a band out of Philly, and this is their only record.

[listening]

Not bad! I can see why I picked this up! It’s shame I’m getting dumber and more forgetful.

Farside, “I Hope You’re Unhappy”

This is probably the most likely Farside song to get big, a straightforward power-pop song about longing, one almost designed to get MTV play. I have no idea if it did so, because even by 1999 I was thoroughly unplugged from the zeitgiest. It’s a pretty good tune, though.