There were more of this sort of filthy song on Wu-Tang Forever than there were on their debut album. And, honestly, this song falls a little flat. It seems to think it can skate by on the explicit lyrics, but everybody’s rhymes here are really kind of by-the-books. Wu-Tang is always at its best when you have some contrast in styles. What’s the point of having this many MCs otherwise!
[Read More]I come to you today with an important piece of information: buying records from a band based entirely on a particular comic artist doing the cover art has a pretty shaky track record. NEWS YOU CAN USE. Blah blah books and covers or something. Anyway, Evan Dorkin is really good!
An underrated aspect of country, whatever the variety, is that it’s often a lot of fun to sing along with. Jay Farrar further has the advantage of being pretty reasonable to keep up with across his bands. I really only know Trace well enough among Son Volt’s work to sing along with, but it’s fun.
[Read More]I’ve complained about the total lack of quality control on Pavements non-album material. For every “Texas Never Whispers” or “Unseen Power of the Picket Fence”, there were a dozen songs like this one lurking in the wings. But hey, at least we’ve got basically every studio dropping ever put on tape by the band lovingly preserved in deluxe editions! That way you can listen to that junk once and never again!
[Read More]Run The Jewels 2 is just perfect. El-P’s beats have never sounded better, Killer Mike’s rhymes have never soudned better, the guests are fantastic. It’s just such a great album, one of the highlights of music this decade.
It’s a repeat! Still, Hepcat is always welcome around here.
I always feel like categorizing the Minutemen as a hardcore band is such a bad idea. They get lumped in there because they would occasionally take that tempo, and of course they were labelmates with a bunch of hardcore bands. But they’re so much different, so much more open to experimentation. Just listen to this!
[Read More]Portland band Norska combine elements of doom metal with parts of noise rock, which means I am very much interested in their ideas and would like to subscribe to their newsletter. And it pretty much delivers on that promise, with the stretched out songs of doom and guitar patterns of noise rock. The various side projects of Yob (their bassist Aaron Rieseberg is in Norska, their singer is in VHOL for example) continue to explore what metal can do when cross-polinated with other genres, an exploration that gets me excited.
[Read More]Before he was on MTV, before he became a meme, Xzibit was a hardcore rapper, which sometimes kind of seems like it’s forgotten. His debut album, featuring production by E-Swift and Muggs among others, is a strong piece of work. Xzibit is a solid rapper, and his storytelling is very good here. It’s not essential, but it’s a good album that seems mostly forgotten at this point.
[Read More]Maybe the most dangerous of the year-end roundups is Bandcamp’s, which always results in a lot of stuff for me. As for today’s music, well, I really like two of today’s songs an awful lot. The other three are a little…slapdash, let’s say.
We get a lot of third-wave ska acts around here, and usually, we make fun of them. Or, at least, a good percentage of them. We get enough of them that maybe a quick refresher is worth our time? When we talk about waves of ska bands, we’re referring to:
[Read More]Without noticing, I passed six moths of doing this stuff. Nice. Here’s today’s tunes.
Another track from Unsteady’s fantastic Double or Nothing, this sarcastic song contains the genius line “I’m a blessed martyr to the church inside my head”, which I think about a lot. Anyway, the ratio of “how much I like this album” to “how much the rest of the world has heard of this album” is just about as high as it gets on this record.
[Read More]Let’s get started! I assume everybody has read the intro, because I posted it right below, but briefly: I’m going to listen to the five random songs from my collection, link them as best I can, and write about whatever comes to mind while I’m listening. You can listen to a playlist of the songs on YouTube.
Aaaand we’re off to an inauspicious start. This is a little atmospheric piece, which is an accompaniment to a graphic novel, Nufonia Must Die. He’s a turntablist and electronic artist, mostly, and towards the playful end of the spectrum. There’s not much to talk about with this song withouth the graphics, so instead, I’ll just talk about how Kid Koala is one of these infuriating people who is a talented artist in multiple media. In lieu of linking to this song, which doesn’t make any sense, I’ll instead just bring your attention to another of his songs, “Nerdball”, from Carpal Tunnel Syndrome:
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