A repeat, but remains a lovely tune.
Long running Canadian grindcore artists Fuck the Facts cranked out Desire Will Rot in 2015, producing an album that is interesting not just because of the stretches of blast fury, but thanks to the interludes in-between. I find grindcore more interesting when it provides those moments of contrast, it helps the crazy tempos stand out even more.
[Read More]This is from the first Palace Brothers album, when it was not at all clear exactly who Palace Brothers were or who was playing on the album. It turned out to be Will Oldham, of course, who played with the Palace moniker for a while before recording under his own name and then Bonnie “Prince” Billy. While I think he’d do better work later as he settled in, the starkness of the arrangements and the gloom of the lyrics result in a super effective album for setting a mood. (That mood is “bummer”.)
[Read More]The disconnected guitar skronk at the front of this song is weirdly something that kind of sticks with me. I think because it kind of lays bare what noise rock kind of sounds like when its stripped of all the layers. And, of course, when the rest of the band joins in, it’s thunderous magic.
I guess we’re going to open all the songs today with a lil’ guitar wank. OK by me!
[Read More]I dunno, feels like we’ve had a good mix recently. Today is no different.
Sebadoh’s Sub Pop debut, Smash Your Head On The Punk Rock, would prove to be a transitional album. Taking the sprawling, brilliant mess of III and at least partially taming it, the focus and professionalism that Sebadoh started exhibiting here would eventually result in much more coherent albums. This period is my favorite one of the band, as I like a little chaos in my music, so when they mostly worked that stuff out of their sound, I stopped paying as much attention. So, the three album stretch from III through Bubble and Scrape is where I mostly listen.
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