A repeat!
It seems like a concept that would be kind of evergreen - ska up some jazz standards, add a few originals, off you go. But somehow, it had diminishing returns? Each album worked a little less than the previous one, and by the third, it was down to just “fine”. It’s fine! But that’s all.
Goddamn!
[Read More]Another month in the books! Still hanging in there on the daily grind, but it’s definitely been a little more wobbly.
Like clockwork, Leprous puts out a record every other year, and with each passing album, they just get more and more theatrical. Is this even metal any more? I don’t think so! This is some serious theatre kid rock at this point. Doesn’t stop me from buying each of these records, mind you.
[Read More]The streak is alive!
This is from the second New York Ska-Jazz Ensemble record, Low Blow. To recap, the NYSJE was assembled from a bunch of folks from various bands in NYC, including the Toasters, the Scofflaws, and one member of the Skatalites. They play a mix of originals and compositions by other people, with this being one of the originals. All three albums are solid, and I recommend them.
[Read More]This version of the great Charles Mingus song is actually the version that got me to go look up Mingus and learn more about him and buy a bunch of his records. It’s such a great song.
This is the a-side from the Pallbearer single from 2019 on Sub Pop. Thanks to their 2017 record, Foundations of Burden, breaking free from the metal press and getting broader attention, Pallbearer have become the standard bearers of doom metal. But there are certainly times that Pallbearer doesn’t sound like doom metal so much as just plain ol’ heavy metal. Which is totally fine! They sound good, and there’s nothing wrong with just heavy metal.
[Read More]Before he became the best mashup artist around with Night Ripper, Greg Gillis was much more into noise. Yeah, you still have bits and pieces of recognizable songs floating in and out, but this stuff has much more in common with experimental artists like Negativland than it does with the kaleidoscope of party music that he would later create. In other words, don’t go back further than Night Ripper and expect to find more stuff like that.
[Read More]Fugazi released First Demo in 2014, putting out a session from just a year or so into their existence. The songs here would appear on several of their proper releases in a different (and more polished) form. But as a Fugazi obsessive, it’s great to hear how these songs first started shaping up.
One of the great questions being debated by Five Songs scholars everywhere is whether I am, in fact, qualified to talk about the New York Ska-Jazz Ensemble. It’s well-established in canon that I’m not qualified to talk about jazz, of course. But half jazz? The pro camp: clearly I know some shit about ska, right? The con camp: I’m demonstrably a terminal dipshit.
[Read More]The Management would like to apologize for yesterday’s entry. Those responsible have been sacked. Let’s try this again today.
We’re not rid of the ska, apparently! Actually, Less Than Jake really are barely ska at all. They have the occasional ska song, but they’re really a punk band. And a good one! Have I made that point before? I probably have. Whatever. Here at Five Songs, Quality is Job Six or Seven On A Good Day.
[Read More]Today is not the most coherent set.
A repeat! Six songs today, people!
This comes from Obscura, a landmark album in death metal where Gorguts explored how dissonant and downright strange they could make a metal album. This kind of unhinged musical exploration is where I’ve always found my favorites in death metal, and this kind of spastic noise really has as much in common with the avant garde as it does with traditional metal. This kind of thing can take a bit to absorb, as it’s disorienting to listen to at first, but I find it all really interesting.
[Read More]Shuffle is trying to make me look dumb today. It probably succeeded.
Channels is basically impossible to search YouTube for. Well, it was only a few days ago we first encountered them, so hopefully you all remember them well. This song is about as ballad-y as J. Robbins gets.
A side project of a bunch of folks in the New York third-wave ska scene, this is basically what it sounds like: a bunch of ska artists getting together to play a bunch of jazz standards. It’s a pretty enjoyable listen. This, of course, is the John Coltrane song. I’d say more, but, well, you know the score.
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