Motown

The Marvelettes, “Please Mr. Postman”

“Please Mr. Postman” was the first ever number one hit for Motown, setting the precedent that so many other songs would later follow. And it’s easy to see, especially with that lead vocal performance. This is still a serious jam.

NxWorries, “Best One”

NxWorries is a delightful collaboration between Anderson .Paak and underground hip-hop producer Knxwledge, and it smokes. Knxwledge has always excelled at these kinds of dense, funky, kind of abstract beats, but working with .Paak gives them a purpose that showcases them better than his solo work. I’d love to hear a follow-up record to this thing.

Rockabye Baby!, “I Shot The Sheriff”

Oh god.

Mary Wells, “Bye Bye Baby”

MUCH BETTER

The Frames, “Headlong”

This is the only record I have from The Frames, and I have zero recollection of this band ever existing. I sometimes think Plexasaurus Rex is gaslighting me. At any rate, this DOES sound like something I would have picked up, and a little bit of research suggests that Steve Albini recorded this, which is another reason. I can’t judge the entire album (because I don’t remember ever listening to it), but this has a little bit of a vibe similar to the Wedding Present’s slower tunes. Not bad!

The Miracles, “You’ve Really Got a Hold on Me”

The vocal R&B band the Miracles are mostly known for launching the career of Smokey Robinson, but they had a long string of hits in their own right as well. I mean, this is basically irresistable.

Hammerhead, “Once Again…With Feeling”

Can I just re-iterate how delighted I am that Hammerhead got back together and recorded a bunch of new material? Coming across multiple Hammerhead records that I’d never heard before at once was such a delight. Listen to this! The urgency of the rhythm, the noisy grumbling of all the guitar and bass, the spacey breakdown, I’m just so happy.

fIREHOSE, “Sometimes”

I know I bang on the drum every time fIREHOSE comes up, but I don’t care: it’s such a shame that people didn’t seem to give them a fair shake after the Minutemen. This is such a good tune! This album is really good (If’n)! fIREHOSE’s first three albums are all flat-out great.

Mogwai, “Heard About You Last Night”

Compare this to the Radiohead track from yesterday. Yeah, both contemplative, almost meditative. Plenty of space in both compositions. But this one feels like it has a point, like it’s going somewhere, not just an unfocused noodle.

Clipse, “Virginia”

As always, the real attraction of the first Clipse record isn’t so much their rhymes, which are fine, but that lovely “produced by the Neptunes” label. And, yeah, this is great.

The Mortals, “Everything But Time”

Part of the Estrus stable of garage rock bands, the Mortals put out three records in the early to mid 90s, without making too many waves but certainly landing on my radar. This comes from the first of those records, Ritual Dimension of Sound, and is a reasonable representation of their sound.

Pardoner, “Silly String”

There’s something extremely early 90s about Pardoner’s sound on this track. It sounds like a lost track from a C/Z Records band, or maybe like some old Dinosaur Jr. track from the vault. That, of course, means I’m totally delighted by it.

Marvin Gaye, “Pride and Joy”

A single from 1963, with some jaunty piano really driving things here. A real charmer!

Gold Class, “Life As a Gun”

EXTREMELY post-punk stuff here out of Australia. There’s sort of a Discord feel to the guitars, and almost a Joy Division feel to the singing, which is a pretty potent combination. This is from their first album, It’s You, which is a pretty solid record.

Propagandhi, “Resisting Tyrannical Government”

Less Talk, More Rock is such a good name for a Propagandhi record. I can only imagine how many knuckleheads brayed at them something along these lines. Anyway, it’s a delight.

Flop, “Act 1, Scene 1”

After Flop’s one record for Sony was a commercial failure, Flop went back to Frontier Records and banged out a third stone-cold pop classic. It’s tighter than the first record, and maybe sliiiiightly less catchy. But it’s still a ton of fun, and it’s sad that we only got three albums from them.

Indian Handcrafts, “Starcraft”

Hooray for rock duos! Major riffage here, you almost don’t notice the absence of a bass player.

Stevie Wonder, “Another Star”

Stevie Wonder allowed himself some space to stretch out on the second album of Songs In The Keys Of Life. That sort of thing can dissolve into self-indulgence, but of course Stevie is one of the best ever, so it’s really just more of his stuff. It’s great!

Pallbearer, “Over & Over”

This song comes from the 2016 single Fear & Fury, which was released after their breakthrough record, Foundations of Burden. It was a wise piece of striking while the iron is hot. Pallbearer plays doom metal, heavy and reliant on plodding tempos, and managed to kind of crossover by being fairly accessible due to the clean vocals. This stuff is pretty good, and I like it in the right mood, and Pallbearer does it as well as anybody does.

Dire Omen, “Malkuth”

I’m not entirely sure where this came from. Discogs says it was a 2018 release, and by then, I’ve been buying virtually all of my music on Bandcamp. But Bandcamp says I don’t own this. So, I dunno? Let’s listen together…pretty murky. Doesn’t particularly grab me. Oh well!

Courtney Barnett, “City Looks Pretty”

Everybody loved Barnett’s first album, your humble host included. Her proper followup, Tell Me How You Really Feel, doesn’t have quite the impact as the first one. It’s certainly still good, but it doesn’t have the same kind of outsider edge as the first album.