Motown

This playlist is rescued by the last two tracks.

Death From Above 1979, “Black History Month (Josh Homme Remix)”

Death From Above 1979 made only one proper album during their initial run, but there was also a remix album. Which is as inessential as basically every other remix album. There is something interesting about Josh Homme doing a remix of a dance punk band’s song, but eh.

Robustos, “Nigel Thornhill”

Totally forgotten third wave ska act the Robustos had even been basically forgotten by me up until this moment.

Here’s your music today.

Ghostface Killah, “Be This Way”

From what I can tell, 2004’s The Pretty Toney Album didn’t seem to go over that well with critics. Perhaps because it’s an album where Ghostface started really pulling away from the Wu-Tang Clan. However, I think it’s really good - Ghost seems to be pretty loose, and while the album is sloppy in parts, it’s nevertheless really fun. After the relatively dreary Bulletproof Wallets, it was a relief for him to get back on track.

I’m not entirely sold on this new version of Ghost Blog that I’ve installed. I feel like the editor is worse. Oh well. Music here!

Doreen’s Jazz New Orleans, “12th Street Rag”

My oldest daughter started learning the clarinet in school last year, so I wanted to get some music in the house to give her some examples of the possibilities with the instrument. Doreen’s Jazz New Orleans was suggested as a possibility, so I picked up this album.

Just a quick one today, Five Songs is on the road!

Shadowy Men On A Shadowy Planet, “You Spin Me Round ‘86”

Surf-ish instrumental band Shadowy Men On A Shadowy Planet are probably best known as the band who did the theme song for Kids In The Hall. That’s a bit of a shame, as they put together three very strong albums. Strong enough that at one time, underground luminary Steve Albini called them the best band recording. Anyway, thoroughly charming and full of personality, their albums are all worth giving a try, with Dim The Lights, Chill The Ham being my favorite.

Shuffle is trying to make me look dumb today. It probably succeeded.

Channels, “Mercury”

Channels is basically impossible to search YouTube for. Well, it was only a few days ago we first encountered them, so hopefully you all remember them well. This song is about as ballad-y as J. Robbins gets.

New York Ska-Jazz Ensemble, “Naima”

A side project of a bunch of folks in the New York third-wave ska scene, this is basically what it sounds like: a bunch of ska artists getting together to play a bunch of jazz standards. It’s a pretty enjoyable listen. This, of course, is the John Coltrane song. I’d say more, but, well, you know the score.

Make! The most! Of my! Toe toast! Hey, while we’re giggling over this first Descendents track, a Five Songs correspondent pointed out the existence of this masterpiece, which is really breathtaking.

Descendents, “Enjoy”

A couple albums into the Descendents’ snotty punk career, the casual observer might have wondered if they were ever ACTUALLY going to grow up, despite an album title declaring otherwise. With the opening track of Enjoy, the band gave a definitive answer. An ode to bodily smells of all types, “Enjoy” was defiantly sophomoric in a way that exceeded even the low maturity standards of their first few releases. I will say this, the little descending baseline is very memorable.

Kind of distant and/or futuristic there for a while, until we hit the last song.

Sigur Rós, “Untitled 8”

Icelandic post-rock group Sigur Rós make long, abstract songs that pretty much all sound like the soundtrack to something. Despite this theoretically being something I should be very into, this album (( )) did nothing for me, and I haven’t picked up any of the rest of their stuff. I’m not sure why.

Today’s tunes.

The Nation of Ulysses, “Maniac Dragstrip”

There’s a search for authenticity in rock music that goes back decades, where bands are judged to be real or poseurs based on a variety of markers, many of which make no sense at all. And in this view of music, artifice is usually heavily discouraged. A band that is self-consciously trying to be different, to make art as opposed to just blasting raw emotion is seen as inauthentic. I get it, the drive for the visceral, particularly in rock. But clinging to this structure leaves out so much interesting experimentation, and ultimately can be so limiting, that you just want to sometimes embrace artiness.

Here’s today’s music.

The Four Tops, “If You Don’t Want My Love”

We’re visiting 1967 with this song from the legendary Four Tops, one of the breakout stars of Motown’s roster, becoming staples of radio. I’m not a Four Tops expert or anything though, so we’ll just enjoy this song.

Le Grand Miercoles, “Commin’ Home Baby”

A Bandcamp find via a gaming friend, Le Grand Miercoles play some kind of weirdo combination of surf, ska, and, like Ennio Morricone. So, of course, I love it to death. I know nothing else about the band.

Some authentically old music, and some music that wishes it was older than it is.

Craw, “Eidolons”

I really cannot emphasize how happy it makes me that there are folks that are going back into our past and bringing bands to our attention. Craw’s revival via Kickstarter is one great example, but also labels like Light in the Attic and Numero Group are doing great work. There are so many amazing bands who might have not gotten a fair shake the first time around, and finding them is fantastic. Anyway, Craw is really good!