Motown

This was so close to being great today.

Sam & Dave, “I Thank You”

I was wondering when we’d get Sam & Dave, one of the top acts from Stax and reliable hitmakers for the label. The drought is over! This comes to us from 1968, an Isaac Hayes song, and goddamn, listen to that.

Martha Reeves & the Vandellas, “Heat Wave”

Hell yes, shuffle, keep it going!

For a long time, I’ve always thought that at some point, the rats in one of the Muppet movies sang a little bit of this song. Well, my memory was only a little right, the scene had just a little echo of this song.

Still hanging in there on my streak. It’s been close for a few days!

Hattie Littles, “Here You Come”

I know nothing about Hattie Littles, but this song is such an exemplar of that early Motown sound, it’s hard not to smile. This comes from 1962, by the way.

Jets to Brazil, “Chinatown”

After Jawbreaker imploded, at least partially due to the pressure of their major label contract, Blake Schwarzenbach thankfully didn’t hang up his guitar for good. His next band, Jets to Brazil, continues in the same vein. While I think Jets to Brazil is a little more polished (and therefore I’m not sure I love them quite as much), they’re a worthy successor, and all three of their albums are worth looking up.

Still haven’t missed a day yet this year!

Ghostface Killah, “Ghost Is Back”

I think Ghost’s skits just kept becoming less comprehensible as time went on. They’re not even really skits any more. There appears to be no bottom to the gibberish. Anyway, this is from More Fish, which isn’t as good as Fishscale. But still a decent album. Good song once it actually gets going.

The Mortals, “Hangin’ On”

The Seattle grunge scene wasn’t really the only game in town at that time. While those acts became nationally famous, there were other robust rock scenes in town at the same time. Estrus Records was at the center of a garage and surf revival, including bands like the Mono Men, Gas Huffer, Man Or Astro-man?, and today’s act, the Mortals. This is pretty nuts-and-bolts rock, but played with plenty of energy, so that’s welcome. The second Mortals record, Bulletproof, is probably their best.

Songs!

Scarface, “In Between Us”

Scarface is one of the elder statesmen of rap, having gotten his start with the Geto Boys, who terrified the hell out of mainstream white America back in the day. After leaving them and going solo, he’s had a long string of solid records, sometimes rising above that level and making something great. He’s also someone who has had the respect of everybody in hip-hop, bridging even the east coast/west coast beef when that was going on. This song comes from The Fix, one of my favorites of his.

Today’s music.

Coil, “Who By Fire”

Peter Christopherson is one of the true innovators of underground music, performing as a member of industrial/noise pioneers Psychic TV and Throbbing Gristle. He then went on to become part of Coil, a band dedicated to electronic music in all its forms. Coil worked with an impressive list of collaborators over the years, and their career is hard to describe. While usually lumped in with industrial acts, usually due to the company they kept, Coil was much more organic and human than most of industrial music. It usually made them all the more unsettling as a consequence. Coil tended to explore the underbelly of human existence, and their lyrics were usually pretty unflinching and often pretty out there.

Shuffle’s kind of been killing it lately.

Marvin Gaye, “Your Unchanging Love”

Marvin Gaye, here on a single from 1967. It’s impressive to listen to the difference between this and what he’d make a mere four years later with What’s Going On.

Mephiskapheles, “Plan B”

I went to go compare the hi-hat intro here to the bit in “B-Boy Bouillabaisse” (at 8:01), and then realized the bit I was thinking of wasn’t just on the hi-hat, and then I got caught up listening to that song. And then I kind of got lost for a bit.

Today’s music.

Smokey Robinson & The Miracles, “Come On Do The Jerk”

Smokey Robinson here with the official anthem of red pillers everywhere.

Slick Rick, “The Ruler’s Back”

Slick Rick’s classic debut, The Great Adventures Of Slick Rick, was tremendously influential. While there’s nothing super special about the beats, Rick’s flow (complete with odd delivery) and storytelling were groundbreaking at the time. You can see his influence just by listening for how many great rappers pay homage to him, ranging from Ice Cube, to Snoop Dogg, to Black Star, among many, many others.

This playlist is rescued by the last two tracks.

Death From Above 1979, “Black History Month (Josh Homme Remix)”

Death From Above 1979 made only one proper album during their initial run, but there was also a remix album. Which is as inessential as basically every other remix album. There is something interesting about Josh Homme doing a remix of a dance punk band’s song, but eh.

Robustos, “Nigel Thornhill”

Totally forgotten third wave ska act the Robustos had even been basically forgotten by me up until this moment.

Here’s your music today.

Ghostface Killah, “Be This Way”

From what I can tell, 2004’s The Pretty Toney Album didn’t seem to go over that well with critics. Perhaps because it’s an album where Ghostface started really pulling away from the Wu-Tang Clan. However, I think it’s really good - Ghost seems to be pretty loose, and while the album is sloppy in parts, it’s nevertheless really fun. After the relatively dreary Bulletproof Wallets, it was a relief for him to get back on track.

I’m not entirely sold on this new version of Ghost Blog that I’ve installed. I feel like the editor is worse. Oh well. Music here!

Doreen’s Jazz New Orleans, “12th Street Rag”

My oldest daughter started learning the clarinet in school last year, so I wanted to get some music in the house to give her some examples of the possibilities with the instrument. Doreen’s Jazz New Orleans was suggested as a possibility, so I picked up this album.