It’s stuff like this, from the early Swans career, that really drives home how appropriate the “no wave” label was for this. It just oozes nihilism.
From Mos Def’s great first solo record, part of one of rap’s highest peaks, albeit a short one. This track is bolstered by Q-Tip appearing on it, driving home the song as a spiritual successor to A Tribe Called Quest’s “Sucka Nigga”.
[Read More]Ghostface’s first solo record, Ironman, is very good. A RZA produced record from 1996 couldn’t help but be good. But I think Ghostface’s unique personality hadn’t quite fully come through, and the production hadn’t quite yet differentiated totally from the Wu-Tang Clan. So it doesn’t reach the heights of many of Ghostface’s later records.
The first Algiers record is a heady mix of gospel and murky post-punk, a combination that immediately stands out from basically anybody else out there. While there are moments when you can kind of see the seams, it’s a prety incredible record, especially for a debut.
[Read More]Ex-Helmet drummer John Stanier joined with Ian Williams of Don Caballero to form Battles. Given the pedigree, it’s no surprise that the focus was on complex, prog-y songs. Somewhat surprising, given the muscular nature of those two bands and the tough-sounding name, is the fact that Battles actually ends up playing pretty playful stuff. It’s not just wall-to-wall power, but ends up instead focusing on finesse.
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