During the early 90s, parallel to grunge, there was a growing movement of indie pop bands that didn’t make a lot of headway, but were a recognizable subculture. As the 90s went on, a billion of these pillowy soft indie bands popped up. The pressure from all these bands ensured that, eventually, one or more of them would break through (it was Death Cab for Cutie, mostly).
[Read More]Peter Christopherson is one of the true innovators of underground music, performing as a member of industrial/noise pioneers Psychic TV and Throbbing Gristle. He then went on to become part of Coil, a band dedicated to electronic music in all its forms. Coil worked with an impressive list of collaborators over the years, and their career is hard to describe. While usually lumped in with industrial acts, usually due to the company they kept, Coil was much more organic and human than most of industrial music. It usually made them all the more unsettling as a consequence. Coil tended to explore the underbelly of human existence, and their lyrics were usually pretty unflinching and often pretty out there.
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