Mandalay

Flop, “Regrets”

I sometimes think about what band I would wave a magic wand and just make famous. The bands that have the widest gap between my love for them and the wider perception of the band. At this point, if you’re a close student of Five Songs, first: what are you even doing? Why? But, you can probably guess some of these bands. Hammerhead, for instance. Pond (the one from Portland). The Slackers. Bands that I adore that never really moved the needle. Well, add to that list Flop, who tossed off pop rock as effortlessly as anybody ever has.

The Gotobeds, “Calquer the Hound”

Indie rock out of Pittsburgh, the Gotobeds’ third album, Debt Begins At 30, sounds fanastic. There’s a real kind of Discord-y/post-hardcore thing going on here, which as you all know goes over well here at Five Songs HQ. This is actually the first album I listened to from them, and kind of forgot to go backwards, and I should really fix that.

Nine Inch Nails, “Came Back Haunted”

After his burst of productivity in the mid/late 2000s, with three albums in four years (four if you count Ghosts, which you should not), Trent Reznor did his usual thing and went away for five years between NiN albums. Unlike previous pauses, he was still making music. He was doing film scores and releasing music as How To Destroy Angels. But he came back to NiN and released Hesitation Marks in 2013, featuring a whole bunch of guest artists and a sound that is probably as close to Pretty Hate Machine as any other record he’s done. Much more sophisticated, of course, but fairly upbeat (as these things go) and kind of bouncy. It’s a fun record, which is not something you can say about most NiN records.