Kustomized

One thing about Five Songs that I always appreciate is that it always makes me stay in the habit of putting music on when I can. There’s just something about always thinking “oh, I could write a post” that sometimes decays into “oh, I could put on some tunes” that I appreciate.

Lungfish, “Descender”

I know what the Five Songs party line is on Lungfish (kinda boring), so I’m going to skip that and just kind of focus on a sense memory. Specifically, I can remember wandering around my college campus not long after getting this album. I was trying to develop a taste for it, so I wasn’t doing much other than listening to it and walking around. But it was a beautiful fall day, and I kept walking past groups of kids having a great time outdoors. Three different frisbee games were going on. A hacky sack circle. A volleyball game had broken out. The breeze was blowing, the sun was shining, I was bumping tunes, and I was just kind of watching people having a great time. So even though I am not wild about the album, an association with a perfect fall day from one of the happiest periods of my life still clings to it. This album sounds like youthful innocence and hope. And is also kinda boring.

They Might Be Giants, “Put Your Hand Inside The Puppet Head”

While the first TMBG album certainly sounds primitive compared to where they’d end up, there are still plenty of their hallmarks present even with this early song. They were capable of writing catchy tunes from the beginning, they had the clever lyrics, and the charm was certianly present. The first album has too many incidents of wackiness, too many throwaways to be really great, but there are some fine tunes on it.

Shenandoah Davis, “Seventeen”

Kind of remember the last time Davis came up saying that I didn’t know anything about her. Still don’t! We don’t do any research around here! That would be against the Five Songs ethos, where we put the “ass” in “half-assed”.

Dis, “Whiteness”

Does it get more early 90s than this? The guitar tone, the sung and spoken parts, the vocals buried in the mix, all that shit. I was big into this stuff, and it still sounds great. Beacuse I’m old and fossilized.

Was camping this weekend with no network access, so I deprived everybody of music. Sorry! It’s a shame there’s no other way to listen to music! Anyway, here’s your relief.

Outkast, “Take Off Your Cool”

Outkast, at the top of their game, was breathtaking. Up through Stankonia, they were just incredible. At then, 2003 saw them release Speakerboxxx/The Love Below, two solo records just packaged as one release under Outkast. And for the first time, they were really showing some cracks. Big Boi’s Speakerboxxx was outstanding, while Andre 3000’s The Love Below was uneven at best. He delivered the standout hit (“Hey Ya!”), but most of his album is frankly a mess, wandering around too much for me to truly love it. This song, a collaboration with Norah Jones, is a good example - it doesn’t really go anywhere.