KMFDM

Man Or Astro-Man?, “Organ Smash”

The debut record for Man Or Astro-Man? (Is It Man…Or Astro-Man?) set the template for the rest of their career. All reverbed out and surf-y, with a thick layer of retro science fiction. And they would cheerfully mine the same vein for their entire career, while still somehow basically managing to sound fresh. It’s a neat trick!

Melvins, “see how pretty, see how smart”

The Maggot was the first of a trio of albums that the Melvins recorded for Ipecac after getting bounced off their major label, following a brief tour with Amphetamine Reptile. All the albums were recorded at the same time, but with a different focus. The Maggot is the most Melvins-y of the three, being pretty much wall-to-wall sludge. It’s also tracked super annoyingly, with each song being divided in half (this, technically, is only the first half of this song).

I think it’s been a bit since I’ve mentioned tools, so I’ll bring them up. The key thing I’ve been using to upload music is this MP3 to FLV converter. There are a bunch out there, but the others I’ve tried have been flaky or slow. This one has the tremendous advantage of pulling the cover art from the tags on the MP3, which saves a step of finding separate cover art. It also has the advantage of not being flaky or slow.

This is the first time I’ve written one of these entries not listening on headphones. Instead, I’m pumping out the jams from my laptop while sitting on the couch next to Megan. Nobody cares, Josh! Get to the music!

De La Soul, “Snoopies (featuring David Byrne)”

As I mentioned in the first entry on They Might Be Giants, De La Soul is probably the only band that I’ve been listening to longer than TMBG. I bought Three Feet High and Rising on the strength of being blown away by “Say No Go”, and I haven’t ever stopped listening to them. While they’ve had some ups and downs (the two Bionix albums being the major downs), every De La Soul record release has been an event for me. Their most recent record was an even bigger departure than usual: they crowdfunded it on Kickstarter, and decided to use a pretty novel method of making it. They brought a band into the studio, recorded them playing a wide variety of stuff, and then used that work as a basis for their sampling to make beats. Thus, they didn’t need to clear any samples: they were only sampling themselves. The results are interesting, and worth looking into.

Let’s get started! I assume everybody has read the intro, because I posted it right below, but briefly: I’m going to listen to the five random songs from my collection, link them as best I can, and write about whatever comes to mind while I’m listening. You can listen to a playlist of the songs on YouTube.

Kid Koala, “Page 165: The Date”

Aaaand we’re off to an inauspicious start. This is a little atmospheric piece, which is an accompaniment to a graphic novel, Nufonia Must Die. He’s a turntablist and electronic artist, mostly, and towards the playful end of the spectrum. There’s not much to talk about with this song withouth the graphics, so instead, I’ll just talk about how Kid Koala is one of these infuriating people who is a talented artist in multiple media. In lieu of linking to this song, which doesn’t make any sense, I’ll instead just bring your attention to another of his songs, “Nerdball”, from Carpal Tunnel Syndrome: