Kid Koala

Blue Scholars, “Cornerstone”

The lead-in to the The Long March EP, this really tells you what to expect on this record. And, honestly, this is an extremely generous EP - 9 tracks, 35 minutes, that’s plenty of material for a full LP.

Blackalicious, “On Fire Tonight”

Aw, hell yeah, hip hop day! This comes to us from Imani, Vol. 1, released in 2015 after a 10 year break between records. Alas, there is no Vol. 2 (yet?). There’s actually some similarity in approach between Blackalicious and Blue Scholars, with both broadly approaching hip hop from a sort of modernized throwback stance, if that makes any sense. [reads what I wrote] It does not make sense.

Ghostface Killah, “Wildflower”

Ghostface’s first solo record, Ironman, is very good. A RZA produced record from 1996 couldn’t help but be good. But I think Ghostface’s unique personality hadn’t quite fully come through, and the production hadn’t quite yet differentiated totally from the Wu-Tang Clan. So it doesn’t reach the heights of many of Ghostface’s later records.

Algiers, “Blood”

The first Algiers record is a heady mix of gospel and murky post-punk, a combination that immediately stands out from basically anybody else out there. While there are moments when you can kind of see the seams, it’s a prety incredible record, especially for a debut.

Today!

The Flaming Lips, “Be Free, A Way”

On 2013’s The Terror, The Flaming Lips were using their psychedelia to explore not shiny wonder but the depths of despair. With Wayne Coyne’s romantic life falling apart and Steven Drozd again struggling with substance abuse, the Lips were not in a good place in their personal lives, and it comes through in the stark bleakness of their music. Piercing and melancholy, The Terror is one of their best records, although it’s not always a whole lot of fun.

Short and Sweet today. Because it has Matthew Sweet! HAHA! (it’s not very sweet)

Matthew Sweet, “Smog Moon”

Sweet, during his peak period, was a reliably great power pop songwriter. But there were times when he’d kind of tip over into a cheesier territory, and this song is a prime example of that particular beast. You don’t want to evoke Billy Joel’s cornier moments, in general.

Kid Koala, “Pinballer”

This is one of the tunes from Kid Koala’s soundtrack to the video game Floor Kids, because he hasn’t tackled enough media yet. I wish I could say something about the game, but while I bought it, I haven’t tried it yet. I only have so much time, people!

Three days, when will it stop? NOT TODAY! HIT IT, YOUTUBE!

The Microphones, “I Want To Be Cold”

There’s something almost shoegaze-y about this track from the Microphones, with the buried vocals and washes of noise. I love it when everything lays out about a minute in as well. It’s a short tune, but it packs a punch.

Kid Koala, “3 Bit Blues”

Kid Koala assembled the entirety of 12 Bit Blues out of layers and layers of samples of old blues, adding scratching over the top when everything was put together. It’s a fascinating experiment, as with just about everything he does, sounding ancient and dusty while simultaneously modern.

Today!

The Exceptions, “Mean Ole Malley”

I come to you today with an important piece of information: buying records from a band based entirely on a particular comic artist doing the cover art has a pretty shaky track record. NEWS YOU CAN USE. Blah blah books and covers or something. Anyway, Evan Dorkin is really good!

Son Volt, “Windfall”

An underrated aspect of country, whatever the variety, is that it’s often a lot of fun to sing along with. Jay Farrar further has the advantage of being pretty reasonable to keep up with across his bands. I really only know Trace well enough among Son Volt’s work to sing along with, but it’s fun.

Welcome to Five Songs, where we have six songs for you!

Kid Koala, “Cardboard Stars, Sea Shells (Page 100)”

A repeat! Since there’s not much to say about it exactly, I’ll instead mention that Kid Koala did the score for the video game Floor Kids, which I haven’t tried yet, but will.

Dillinger Escape Plan, “Weekend Sex Change”

Listen to the space on those drums. They sound so live! Awesome.

Ihsahn, “After”

Leading force behind Norwegian black metal legends Emperor, whose In The Nightside Eclipse is one of the touchstones of the genre, Ihsahn has continued forward as a vital force in metal over the decades since. His solo work has tended more towards the progressive and symphonic end of things rather than the black metal grime of his earlier career, but he’s shown a pretty wide range in general.

Sorry about the second song in the playlist. You’ll see when you get there.

People Under The Stairs, “You”

From Stepfather, an album that featured some pretty experimental songs, distinguishing itself from its more straightforward predecessors. “You” is built around a nice, conventional funk sample, though.

Front 242, “Tragedy (For You) [Instrumental]”

To the extent Front 242 ever had a “hit”, it was this song, briefly a staple of a certain sort of dance club. And just in case you wanted to hear that industrial dance beat more clearly, they helpfully provided an instrumental remix on the inevitable 12" single of the song, along with six more versions of it. Say what you want about the purveyors of industrial dance, but they got their money’s worth out of any song that got traction.

A peek behind the curtains here at Five Songs International (a subsidiary of Songsanto): I sometimes write these things ahead of time. Like the weekend ones are usually paved out ahead of time. Still the same rules, though: I pick a time, start shuffle, and write about those five songs. But, in order to keep the flow of quality (?) stuff flowing, sometimes they’re not written on the day that they’re posted. Like, for instance, this was written on Friday while I ate lunch. Doesn’t make the songs any less good (or bad? I don’t know yet!).

Let’s get started! I assume everybody has read the intro, because I posted it right below, but briefly: I’m going to listen to the five random songs from my collection, link them as best I can, and write about whatever comes to mind while I’m listening. You can listen to a playlist of the songs on YouTube.

Kid Koala, “Page 165: The Date”

Aaaand we’re off to an inauspicious start. This is a little atmospheric piece, which is an accompaniment to a graphic novel, Nufonia Must Die. He’s a turntablist and electronic artist, mostly, and towards the playful end of the spectrum. There’s not much to talk about with this song withouth the graphics, so instead, I’ll just talk about how Kid Koala is one of these infuriating people who is a talented artist in multiple media. In lieu of linking to this song, which doesn’t make any sense, I’ll instead just bring your attention to another of his songs, “Nerdball”, from Carpal Tunnel Syndrome: