Tortoise had five years between this record and the previous one (not counting their collab with Bonnie “Prince” Billy), and when they came back, they were sounding pretty energized. This track is a good example - it starts out sounding like a contemplative piece of post-rock, but it eventually turns into what sounds like at least two different songs being played at the same time. Fun stuff!
[Read More]I’ve already talked about how different pre-Fergie BEP are from the band people know, and I’m not sure I have a second thing to observe about this record. So read that. Or don’t! Doesn’t matter to me!
Best tune off their second record, this is just a total banger. If I can recommend it, just listen to this twice and skip the BEP track. Why not?
[Read More]Feedback is one of the most disappointing albums I can remember buying. I adored the first couple LPs from J5, and then this album just kind of thudded to the ground. It seemed so leaden and joyless at the time that I just listened to it a few times and shelved it. Honestly, it’s due for a re-visit, and this track is pretty good. Maybe I’m just a dope?
[Read More]An early hardcore band in Austin, the Big Boys inspired a bunch of bands that followed them, including folks like the Butthole Surfers. It’s also where Rey Washam (Scratch Acid, Rapeman) and Tim Kerr (Poison 13, The Monkeywrench) got their start. All of the Big Boys’ catalog was helpfully compiled into two discs, with The Skinny Elvis comprising the first half of their career and The Fat Elvis (which gave us today’s track) the second half. Among other things that made them great, they were totally unafraid to just straight up play some funk, which is delightful.
[Read More]I first encountered Homebody Sandman through his (excellent) collaboration with Edan. I liked it enough to pick up his next record, Dusty, which I also enjoy. Lots of jazzy loops providing a great backdrop for his flows, which are a good time.
I’m not a Bowie scholar (I find myself saying a lot what kind of scholar I am not around here!). I have tried to stick to just some of his essential albums. In practice, for Bowie, that means I have five albums, Low being one of them. I’m not sure what else to say about it, other than it’s one of his essential albums.
[Read More]Action Bronson bubbled up from the underground after making the transition from chef to rapper. After breaking his leg, he decided to try making his hobby into his main career, putting together his debut Dr. Lecter, a fun album full of energy, food metaphors, and tons of rhyming. It’s an entertaining listen, but it remained to be seen if Bronson would move past the Ghostface worship. His next album, Well-Done, a collaboration with Statik Selektah, answered that question: no. No, he would not.
[Read More]I wish I could bottle the first verse of this song, just so I could always have it handy when I need it. Just, absolutely nailed.
Here we have Isaac Hayes really sounding a lot like what I think people think of when they think “Isaac Hayes”. Well, OK, most people probably think of “Theme From Shaft”. But beyond that, the song in their head probably sounds like this. This is from pretty late in the Stax run, from the early 70s.
[Read More]Last time we heard from PJ Harvey, we got “Sheela Na Gig” from Dry. That song smokes, of course. And this is the song right after it on that album! What I’m trying to say here is that this record is amazing.
I think I’ve mentioned this before, but there was a period of time where I bought more or less everything Lookout Records put out. This wasn’t a great policy. Aside from ending up with considerably more pop punk than I needed, there was some pretty low wattage stuff down roster on that label. This album being a good exhibit. This is from a split LP, and as you can hear, this is just straight ahead vintage rock. It’s inoffensive, but also pretty unexciting.
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