I sort of mentally lumped the Shins in with a bunch of other indie bands (like Death Cab) as being “fine, but not for me”. Who had the time to differentiate all these bands? It wasn’t actually until I found “For A Fool” on Rocksmith and had such a good time playing it that I paid more attention, and hey - turns out I actually really like the Shins. We wander into the music we like through a lot of different ways, and it always pays to keep your ears open.
[Read More]If my search is to be trusted, there are about 102 blog posts on this site indicating that I don’t know shit about jazz. Sad that I’m so ignorant, given that I actually listen to a fair bit of it.
My favorite Calexico record. If this song doesn’t grab you, I’m afraid to inform you that you’re hopeless.
Therapy? was a band that kind of got tagged with an alternative metal label during the early 90s. It kind of makes sense - this isn’t as gritty as grunge, and it’s not robotic enough for industrial metal, but it also doesn’t really have any markers of any of the genres of metal going at the time. This is from Nurse, a record that got them signed to a major label. It’s a decent record, although I’ll confess I haven’t thought about this band in ages.
[Read More]For as much as I joke about not knowing shit about jazz (and I do not), I know even less about blues. I’m clueless! So, I’ll just say that this comes from his 1978 album I’m Ready and get out of the way.
Well, that’s jarring. Noisem, a death/thrash act from Baltimore, got some positive press a while back, so I picked up this album. But I don’t know, I think I’m pickier about this end of metal, and this doesn’t do a whole lot for me.
[Read More]The debut record for Man Or Astro-Man? (Is It Man…Or Astro-Man?) set the template for the rest of their career. All reverbed out and surf-y, with a thick layer of retro science fiction. And they would cheerfully mine the same vein for their entire career, while still somehow basically managing to sound fresh. It’s a neat trick!
The Maggot was the first of a trio of albums that the Melvins recorded for Ipecac after getting bounced off their major label, following a brief tour with Amphetamine Reptile. All the albums were recorded at the same time, but with a different focus. The Maggot is the most Melvins-y of the three, being pretty much wall-to-wall sludge. It’s also tracked super annoyingly, with each song being divided in half (this, technically, is only the first half of this song).
[Read More]Metal has links to folk in a bunch of ways, ranging from the atavistic impulses of black metal, the explicit crossover of various folk metal acts, the lack of fear of being totally uncommercial, or even just the willingness of metal bands to strip things down to provide contrast, like Thou is doing here.
We, of course, are well aware that I don’t know shit. About anything, really. But I have to do something to entertain myself while listening, so I read a little potted bio of Armstrong. Why not? And this bio declared that Armstrong is the most influential figure in jazz. Huh.
[Read More]Shuffle is trying to make me look dumb today. It probably succeeded.
Channels is basically impossible to search YouTube for. Well, it was only a few days ago we first encountered them, so hopefully you all remember them well. This song is about as ballad-y as J. Robbins gets.
A side project of a bunch of folks in the New York third-wave ska scene, this is basically what it sounds like: a bunch of ska artists getting together to play a bunch of jazz standards. It’s a pretty enjoyable listen. This, of course, is the John Coltrane song. I’d say more, but, well, you know the score.
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