Johnboy

They Might Be Giants, “Can’t Keep Jonny Down”

John Linnell is probably my favorite songwriter ever, and so it means a lot when I say that “Some dude / Hitting golf balls on the moon / Bathroom in his pants / And he thinks he’s better than me” might be my favorite lyric he’s ever written.

johnboy, “Chair”

I miss the heyday of noise rock. There were so many bands doing cool shit in the early 90s, and you could just find new stuff all the time. I suppose it might still be happening somewhere still, and I’m just not plugged in enough to find out about it. Is anybody doing a noise rock blog?

The Sound Stylistics, “Get Ya Some”

From the Mocambo Funk Forty Fives, a comp collecting, uh, funk forty fives from Mocambo Records. The label is a reliable source for this kind of stuff, so this collection is a very fun time. Listen to this, the flute lead is delightful.

J Church, “Violent Motions Created”

This is a darker palette than J Church usually work with, both in the music and the vocal delivery. But, as always with them, their instincts for not letting a song drag on serve them well. Get it out there, get the point across, get on to the next thing. You want more? Listen to it again!

Today!

J Church, “Bomb”

Camels, Spilled Corona, and the Sound of Mariachi Bands is a great name for an album, in this case the first of multiple singles comps that J Church put together. As befits a band as prolific as they were, J Church was constantly putting out songs on 7"s, random comps, splits, and other places. They had the good grace to collect that stuff together periodically, and the comps are really basically on a par with their normal albums.

Some great songs today.

Wilco, “ELT”

You know, this might be the first time I’ve had a song come up on Five Songs after I had listened to it by choice earlier that day. This is not an interesting fact.

Anyway, Summerteeth is fantastic. Tweedy made a basically clean break entirely from the alt-country that had been present on all of his albums up to this point, and made just a straight up pop record. And it’s so good! Lush and orchestral at times, slow and contemplative at others, it’s a tour de force.