Jay-Z

Cap’n Jazz, “Little League”

Analphabetapolothology gathers together Cap’n Jazz’s one LP with their non-album releases onto one delicious record, capturing the entire work of one of the great but forgotten bands of the mid-90s underground. Like Squirrel Bait, they’re more known for their successor bands than their actual work, as both Joan of Arc and the Promise Ring came out of Cap’n Jazz. But also as with Squirrel Bait, ignoring the parent band’s output would be a huge mistake, as it’s bursting with ideas and energy. This comp really is one of the highlights of the 90s, and if you haven’t listened to it, my goodness, you’re in for a treat.

Mary Wells, “You Beat Me To The Punch”

Lots of Mary Wells recently, which is OK by me!

Olivia Tremor Control, “The Opera House”

Music From The Unrealized Film Script, Dusk at Cubist Castle is one of the key documents of the indie pop underground from the mid-90s. Although it hasn’t retained the level of enduring fame as In The Aeroplane Over the Sea, it’s very much a peer to that one. The record nerds who went nuts over Neutral Milk Hotel at the time were already nuts over Olivia Tremor Control.

BOXING DAY. I am not doing a special today.

Cosmic Analog Ensemble, “Camille 3000”

Cosmic Analaog Ensemble is the work of a single person, Charif Megarbane, who uses his band to explore different genres and styles. With Les Sourdes Oreilles he’s really going after what I’m going to call soundtrack funk - the sort of thing that seems like it should be in a gritty 70s movie. This entire record sounds like a lost David Axelrod record, and that’s a high compliment. If you like this track, you should pick up the whole album, it’s all of this quality.

Killdozer, “New Pants and Shirt”

This is the opener of Twelve Point Buck, a pounding exercise in downtempo noise that really is a statement of purpose for the band. It can be a bit much in extended doses, and my copy of this album is actually a double album with Little Baby Buntin’, which is a lot of Killdozer at once.

The Jon Spencer Blues Explosion, “Bellbottoms”

Extra Width was truly mind expanding for me, a record that I played over and over, and one of the sole things that kept me sane during one stretch of a summer job that involved pulling staples from telephone poles 40 hours a week for an entire month. And when I got Orange, slapped it on, and this thing melted my face? I couldn’t believe that they managed to top it. Thank YOU very much, JSBX!

Foetus, “Red and Black and Gray and White”

Soak is the most recent Foetus album, from 2013. I sort of don’t believe it’s going to be the last Foetus album, but maybe I’m wrong. At any rate, it carries on in his late career form, a howling whirlwind of orchestration, noise, and barely constrained chaos. It’s like a big band possessed by a demon.

Shabazz Palaces, “When Cats Claw”

Shabazz Palaces went to record a few bonus tracks for their 2017 album Quazarz vs. the Jealous Machines, but the sessions ended up going so well that they turned it into an entire companion album, Quazarz: Born on a Gangster Star. Given that both albums were recorded roughly at the same time, it’s hard to pick between them, so I’d recommend just listening to both.

Do you love Five Songs?

Screeching Weasel, “You’ll Be In My Dreams Today”

It probably says something about me that I own a lot more Screeching Weasel than I do the Ramones. Specifically, it says how old I am.

Jay-Z, “I Know”

One of Jay-Z’s strengths is how he has a bunch of different flows that he uses on different songs. Unlike some rappers, including plenty of famous ones, he always seems to change things up to really play along with the beat. And Pharrell Williams put together a great one here.

Hey! I think everybody reading this probably knows that I also design games. My most recent game got a glowing review from Shut Up & Sit Down. Pretty neat! Oh, we have music, also.

Unwound, “All Souls Day”

I just kinda want to hug the drums from this song. And then the guitars kick in, and goddamn, you guys, this is what I want in my ears.

Matthew Sweet, “Sick Of Myself”

This is from 100% Fun, his second best album after the magnificent Girlfriend. As with that album, he’s breaking no new ground here at all, but it doesn’t matter when you have just a shamelessly huge pop song like this.

Soul, a couple rap songs, some metal, and an electronic artist cutting up Fugazi. What could be better?

The Olympians, “Pluto’s Lament”

I don’t think we’ve talked that much about Daptone Records around here. Daptone is a retro soul label out of Brooklyn, releasing records by Sharon Jones, The Budos Band, Charles Bradley, and many others. While most of the artists on the label are very retro in sound, it usually still sounds pretty fresh in no small part because a lot of these types of music kind of disappeared from the music scene for a while.

Some legendary names today.

Pixies, “Nimrod’s Son”

From their very first moment, the Pixies were already themselves. This song, from their debut EP Come on Pilgrim, already shows all the elements that people would come to love. What’s even more impressive was that this was just from a demo they recorded themselves. They sent the demo to 4AD, and 4AD turned around and released it. This EP used to be sold on the same CD as Surfer Rosa, making that one of the best single discs in my entire collection.