With Novelty, Jawbox added a second guitarist to the lineup and the fuller sound really brought them to another level. While I like Grippe, this is the album where Jawbox became Jawbox. “Static” is one of my favorite songs on the album, with my fondness bolstered by the fun novelty 7" they put out as a split with Tar, where each band covered the other band’s song named “Static”.
[Read More]At some point, I stopped being able to keep track of which songs have already appeared in this thing. It’s been five years? 6,000+ songs, anyway, and I’ve just lost the ability to be sure if we’ve heard something. Part of me thinks this was a repeat, but I don’t want to check. So we’ll just enjoy it again. Or for the first time?
One of the things about Run the Jewels 3 is that it sometimes feels a little more distant than some of the other records, 2 and 4 especially. Both of those feel visceral and immediate, and 3 seems a bit more cerebral and chilly. Still a great record, of course, but it’s just not quite at the same level as those two.
[Read More]“Please Mr. Postman” was the first ever number one hit for Motown, setting the precedent that so many other songs would later follow. And it’s easy to see, especially with that lead vocal performance. This is still a serious jam.
NxWorries is a delightful collaboration between Anderson .Paak and underground hip-hop producer Knxwledge, and it smokes. Knxwledge has always excelled at these kinds of dense, funky, kind of abstract beats, but working with .Paak gives them a purpose that showcases them better than his solo work. I’d love to hear a follow-up record to this thing.
[Read More]It’s time for True Stupid Facts About Josh’s Musical History (yes, I know nobody cares). Despite Exile on Main St. being part of the rock ’n’ roll canon, regarded by many as the Stones’ best album, I actually heard the Pussy Galore full-album cover of this record first. The Pussy Galore interpretation is chaotic and deliberately ramshackle, a total mess released only on cassette in small numbers out of fear of getting sued into dust. WRCT had a copy of this record, legendary among the underground, and I checked it out after reading about it on Usenet. It was ridiculous, and I wasn’t sure what to make of it, and didn’t get around to listening to the actual Stones record for probably another ten years. The list of people who listened to the record in this order might be limited to just your very stupid correspondant.
[Read More]Somehow, 23 years before their first record, Prince laid a pretty savage burn on LCD Soundsystem.
Jawbox put together a comp, My Scrapbook Of Fatal Accidents, which gathered together most of their non-album releases in one place. There’s some solid stuff on it, and I recommend it for Jawbox fans. What we have here is one of the real oddities, a cover of the Cure’s “Meathook”, which serves best as a companion piece to their cover of Tori Amos’s “Cornflake Girl”.
[Read More]A hint for anybody trying to sell records to Five Songs International: get somebody to drop “noise rock” somewhere in your review, and I’m all over it. Wiccans fit that category. And yeah, they basically sound like a vintage Amphetamine Reptile band. Maybe a little shoutier than some, AmRep bands often had the vocals buried in the mix, but musically it’s very much in that tradition. So, of course I like it!
[Read More]I’m excited to see what comes up today! After yesterday’s contrasts, what twists and turns can we expect?
One of the great bands of the first wave of ska, Toots and the Maytals delivered some of the most memorable songs of that period, including the oft-covered and incredible “Pressure Drop”. Toots Hibbert is also credited with coming up with the term “reggae”. Like a lot of his peers, his discography can be a little confusing to follow, as a lot of his stuff was spread out across a bunch of places and there are innumerable compilations that you can find, with overlapping track lists. The Very Best of Toots & the Maytals is an excellent compilation as a starting point, though.
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