Isaiah Rashad

As long as I’m resurrecting various hobbies and activities, for anybody that is curious, I’ve got a game design that I’ve been working on that’s pretty far along. I’ve been blogging about it on my other site, with the articles available here. I actually just made what I think is potentially a very cool rules change, and I can’t wait to try it out. OK! Let’s crank up the tunes!

Rocket From the Crypt, “Birdman”

For most of the summer, I’ve been listening to a lot of punk and various punk-inflected rock bands. It’s kind of me circling back to one of my forever loves in music, driven by discovering see/saw. It’s a genre that really just kind of thrives on execution, which is funny for a genre with a reputation for sloppiness. But execution doesn’t mean precision, just that the band’s songs, energy, and approach have to be aligned for things to really work.

They Might Be Giants, “Particle Man (Live)”

Honestly, the reason for me to listen to The Flood Show is mostly for the in-between song banter.

Urge Overkill, “Eggs”

Urge Overkill were a band out of Chicago that were doing big hard rock moves ironically, and in the early 90s, that was enough to attract attention. They would eventually mutate the ironic rock stuff to just sincere rock stuff, end up on a major label, and carve out a career being rock stars at a time when rock stars didn’t much look like rock stars. Or something.

A Forest of Stars, “A Prophet for a Pound of Flesh”

The rolled Rs are a bit much, don’t you think, A Forest of Stars guy? There’s always a line that metal bands walk, where if they go too far and seem like they’re taking themselves too seriously, they cross into Theatre Kid territory. Now, you can lean into the ridiculousness, of course, and that’s fine and good and not what I’m talking about. It’s just if you get too dramatic and don’t seem to be tongue-in-cheek at all, well, it gets extremely silly.

Hot damn, some great songs today.

Sleep, “Some Grass”

Sleep is one of the titans of doom metal, as we’ve talked about in the context of High on Fire. But, alas, this is just a little throwaway on Sleep’s Holy Mountain, so we’ll have to wait for another day to really bear witness to the majesty of their good stuff.

The Delgados, “Witness”

The Delgados came out of the same Glasgow scene that birthed Belle & Sebastian and Arab Strap. And, like Belle & Sebastian, their take on pop evolved from something more folk oriented to something much more orchestrated. This comes from The Great Eastern, the peak of their discography, although they were always good.

I’m going to have to make myself an index of these bands in order to keep linking back to previous entries, but I suspect I’ll be happy to have done that in the end.

Look out! Behind you! It’s a playlist!

Bacao Rhythm & Steel Band, “Laventille Road March”

The Bacao Rhythm & Steel Band is a side-project/alter ego of The Mighty Mocambos, a funk group from Germany. For this album, the band has added steel drums to the arrangements as a lead instrument, giving the whole enterprise a pretty unique feel, while still very much being instrumental funk. It’s a fun project, and works better than it probably has any right to. This album is about half covers and half originals, and is recommended for anybody wanting more funk in their lives.

It’s my birthday! Hooray! Let’s listen to some music (you can listen along here)!

Spawn of Possession, “Spiritual Deception”

Metal, as a broad genre, is one that I’ve always been perpetually coming to grips with. Despite having embraced plenty of other extreme genres - noise, hardcore, lots of experimental music of all forms - I had always held metal at arms’ length. I certainly listened to a few carefully selected bands, but I never really explored things fully. I mostly looked at many of the ridiculous trappings and endless subgenres, and kind of gave it a miss.