Hammers of Misfortune

Torche, “Reverse Inverted”

For how often I mention Torche, it’s nice to actually get the band in here. Always loud, always delightful.

Samiam, “Factory”

Just going full-on big rock today. With luck, everything we get will soar, and it’ll be a rare feel-good Five Songs list. But, knowing my library, we’ll probably get Einstürzende Neubauten mic-ing up a construction site and hammering on it with a ladle instead.

The Slackers, “Wasted Days”

Well, it doesn’t exactly soar, but it’s still a summery thing, so I’ll count it. The spare guitar in the opening, the gentle unison of the sax and the trombone, all leading to Vic Ruggiero’s plaintive question is one of my favorite moments by the Slackers. They’re willing to just let this languid bouncer cook, resisting the temptation to layer on too much, and it’s such a great tune as a result. The hottest it gets is Hillyard’s solo, but even there, the extra ornamentation is really just limited to some “oooooohhhs” in the background. And bonus points for Ruggiero’s tremendous delivery of the word “sober”. Great tune.

Fall Out Boy, “Saturday”

Pop punk is one of those genres that never really changes or evolves, and just relies on sappy emotion and snappy songs. You really need to nail the catchy songs and the energy or it’s going to come across as limp or manufactured. When done right, though, it’s delightful. That said, the first couple Fall Out Boy records totally nail it, so happy for this to come up.

Boris, “Furi”

The first Boris album I encountered was Akuma No Uta after reading a good review of it online somewhere, and I was blown away. To have “Introduction” get followed by two absolute rippers like “Ibitsu” and today’s track, from the same band, I was just in love. Boris has paid that love back with a ton of classic records, many of them better than this album. But it’s still one I return to again and again, because your first album is often special with a band.

Fantastic list today.

Melvins, “Holy Barbarian”

This all has gone on long enough that I can’t really be certain any more which albums and songs I’ve talked about, so I’m just going to assume y’all can’t remember either. This comes from the great Freak Puke album, where the Melvins (calling themselves “Melvins Lite”) made an album with Trevor Dunn (Mr. Bungle) on bass. Upright bass. The texture that he provides with all the variety of sounds he cranks out makes for one of the most unique albums in the Melvins’ very long discography, and I highly, highly recommend it.

Back in town, so hopefully I’ll be able to start posting these during the day again. Today’s tunes!

Melvins, “Your Blessened”

What gives a band longevity? How are some bands able to just keep going for forever, while most flame out after only a few albums (or even one)? It’s not just creativity, although the Melvins certainly have shown plenty of experimentation. They also have a certainly Melvins-y formula that they’ve applied plenty. Tt still manages to sound fresh and interesting. You listen to a song from Bullhead and a song from, I dunno, Hold It In, and you hear so many things that are similar. But I’m still happy to listen to them. What is the formula that King Buzzo and Dale Crover have discovered?