Hammerhead

Hammerhead, “Evil Twin”

Hammerhead’s initial three-album run with Amphetamine Reptile is probably my favorite on the label, and it’s the second and third albums (Into The Vortex and Duh, The Big City) that are the real prizes. The first record is good, but the latter two are two of my favorite noise rock albums by anybody ever. But it wasn’t like Into the Vortex just thundered out of the sky out of nowhere. It was heralded by the 1993 EP Evil Twin, which showed how much of a step forward Hammerhead had taken. What stands out to me is how propulsive it sounds. Hammerhead is going places, and nothing is going to stop them, and they will just run you over if you’re in the way. That sense of groove moderates the aggression into something that is compulsively listenable to me.

DZ Deathrays, “Reflective Skull”

I’ve said it before, but it’s worth repeating - make some friends in Australia and hit ’em up for music recommendations. You can’t miss! This is from a different friend than the last time I mentioned this particular life hack, that’s how I know that it just works generally.

Circus Lupus, “Cyclone Billy”

Delightful post-hardcore here from the first Circus Lupus record. They would only get better on their second album, but both are excellent if you’re into the sound.

The Miracles, “You’ve Really Got a Hold on Me”

The vocal R&B band the Miracles are mostly known for launching the career of Smokey Robinson, but they had a long string of hits in their own right as well. I mean, this is basically irresistable.

Hammerhead, “Once Again…With Feeling”

Can I just re-iterate how delighted I am that Hammerhead got back together and recorded a bunch of new material? Coming across multiple Hammerhead records that I’d never heard before at once was such a delight. Listen to this! The urgency of the rhythm, the noisy grumbling of all the guitar and bass, the spacey breakdown, I’m just so happy.

Pitchblende, “Flax”

Now, that’s a tune! Kinda wish they had left the vocals off, they’re pretty unnecessary here.

Pardoner, “My Sorry Ass”

A end-of-year list discovery from 2017, I didn’t know anything about this band before getting this record. But listen to that Pitchblende song (from 1993) and then this, and there’s just a straight line connecting them. This album rocks, in case it wasn’t clear.

Wick-it The Instigator, “Everlasting Shine Blockaz”

Here’s a fun one! Wick-it took Big Boi’s magnificent Sir Lucious Left Foot: The Son Of Chico Dusty and combined it the the Black Keys’ Brothers, resulting in a very fun mash-up. Listen to this track and then you can immediately decide if it’s your thing or not.

American Music Club, “Nightwatchman”

Speaking of night watchmen, we watched Night at the Museum with the kids last night, and I was kind of pleasantly surprised that the effects didn’t look too janky. I mean, sure, the whole premise was ridiculous, but I thought there was a good chance that it was going to look so stupid as to totally jar me out of things. But no, held up just fine as a family movie.

Samiam, “Head Trap”

Samiam were part of the punk scene that would eventualy spawn Green Day. As the labels moved in, hunting for the next big thing, Samiam found themselves on Atlantic Records for a single album, which is as close as they got to breaking through. I always felt like they deserved a bigger audience, and it was a little sad that they didn’t connect. At any rate, this actually comes from the album right before their major label record, Billy, which is my favorite album from them.

Arab Strap, “The Clearing”

Arab Strap was a band from the same music scene that produced Mogwai and Belle & Sebastian, but unlike those two bands, they’ve never done that much for me. This comes from their first album, and it’s kind of unfocused, and there’s nothing that I find really memorable on it.

The Rolling Stones, “Love In Vain”

Huh, never heard of this band.

Lorelle Meets The Obsolete, “Unificado”

Psychedelic rock out of Mexico, this is from the 2019 album De Facto which showed up on some best-of lists that year. I think this is good, but as with a lot of psychedelic rock, it doesn’t tend to stick with me. I’m kind of the same way with Tame Impala - I can tell it’s good and all, and can even see what people hear in it, but it just doesn’t hang with me. I guess it’s Not Memorable To Josh day?

Tame Impala, “Desire Be Desire Go”

Innerspeaker seemed universally beloved, so I went ahead and picked it up. And I like it fine, but it doesn’t really blow me away. It doesn’t really stick with me particularly, so I like it while it’s on, and then totally forget about it later. Like, this song: it sounds good, but it also kind of sounds like a billion Elephant 6 bands.

Polyrhthmics, “Lord of the Fries”

Track from the most recent Polyrhythmics album, Caldera, which is excellent as always. The compositions are getting more ambitious as they go along, which you can really hear on this song.

Back to those solid playlists.

High On Fire, “The Sunless Years”

More stoner rock from High On Fire, this time from Luminiferous, the most recent record from the outfit. Although, frankly, there’s not a ton of variation among their records. You pretty much know what you’re getting with them. I guess I’d point to Surrounded By Theives as the best, due mostly to a bitchin’ title and dude with an axe on the cover.

It has been pointed out that I should probably have comments enabled on this blog. I’ll see what I can do about turning those on, although fiddling around with Ghost kind of makes me want to turn myself into a ghost. In the meantime, we soldier on! As always, you can listen along here.

Ugly Duckling, “Pay or Quit”

Ugly Duckling is a bit of an odd band, a proud throwback rap group that tries to recall a percieved golden age, with the result that they seem really disconnected from other rap acts. This ends up giving them a bit of a sui generis feel, which is dumb for a band that is explicitly trying to reference and revive the past of their musical genre. Well, whatever. Expect lots of loops, trading the mic back and forth, word-play focused rhymes, and a total lack of profanity. When the formula works, it can be pretty lively, bouncy fun. When it drags, it drags painfully.