GIrl Talk

ALL, “Long Distance”

A thing you can say about ALL is how incredibly consistent the sound of the band was across records. The guitar, bass, and drums all sound exactly the same across every record. They had the sound they liked, and they stuck with it.

Girl Talk, “Let It Out”

I know random verses from a bunch of songs just due to their presence on All Day, which is always a little jarring when I hear the songs removed from this context. There’s always a disorienting moment of “why do I know this song?”

Big Audio Dynamite II, “The Globe”

Well, this is quite a time capsule, isn’t it? This whole early 90s thing of guitar dance music really didn’t age especially well, although at this point, there’s a certain goofy try-hard charm to this, with all the little samples and bits floating in and out.

Swallowed, “Black Phlegm”

Silly Swallowed. Black is for bile, not for phlegm! That’s colorless! Metal bands should really know medieval medicine better than this.

Oneohtrix Point Never, “Lost but Never Alone”

Magic Oneohtrix Point Never is probably my favorite record from him since Replica. In a lot of ways, it evokes that record, giving a rare treat of throwback sounds from an artist who is always restlessly exploring. There’s a metaphor of flipping around a radio that ties the record together, which also feeds into my love of plunderphonics.

Madness, “One Step Beyond”

The second wave of ska, the two-tone bands from the UK, did not last very long, and didn’t really encompass that many bands. Part of the problem is that by the time this stuff got noticed outside of the UK, the key bands had pretty much all broken up or stopped playing ska. But the highlights of the second wave are great, and Madness’ first album is one of those highlights. It’s a fine example of the melding of ska with punk energy, and it’s hard not to smile through this.

Elvis Costello, “New Amsterdam”

This song is actually a demo that Costello recorded, and then included directly on the record instead of re-recording it. The result is one of the more distinctive songs on the album, a minimal arrangement that ends up letting the clarity of the melody shine through.

Girl Talk, “Still Here”

It’s always a little strange to hear one of the Girl Talk songs out of the context of the albums. It shouldn’t be, because they’re such chameleons, but the progression of songs is burned into my brain so it throws me off. In other news, I love the bit from The Band on this track.

Today!

Girl Talk, “Ffun Haave To”

Before he became the best mashup artist around with Night Ripper, Greg Gillis was much more into noise. Yeah, you still have bits and pieces of recognizable songs floating in and out, but this stuff has much more in common with experimental artists like Negativland than it does with the kaleidoscope of party music that he would later create. In other words, don’t go back further than Night Ripper and expect to find more stuff like that.

Today!

Jurassic 5, “Sum Of Us”

I wish I could bottle the first verse of this song, just so I could always have it handy when I need it. Just, absolutely nailed.

Isaac Hayes & David Porter, “Ain’t That Loving You (For More Reasons Than One)”

Here we have Isaac Hayes really sounding a lot like what I think people think of when they think “Isaac Hayes”. Well, OK, most people probably think of “Theme From Shaft”. But beyond that, the song in their head probably sounds like this. This is from pretty late in the Stax run, from the early 70s.

Rap heavy today.

Common, “The 6th Sense”

First appearance for Common here, this coming from his masterpiece, Like Water For Chocolate. With production from a bunch of underground greats, Common put everything together and made a landmark of underground rap that brought back the feel of the Native Tongues bands. While it might run on a bit too long, it’s still a huge pleasure to listen to, so smooth and assured.

Here’s today’s music.

Channels, “$99.99”

We’ve encountered J. Robbins before, with Jawbox and Office of Future Plans. Channels is yet another of his post-Jawbox projects, and occupies a very similar space. What all of his bands, from Jawbox on, share is a similar focus on the same fundamentals: tightly wound songs, melodic choruses, fantastic drumming, and a certain essential artiness. Personally, I love it, and a new album from him is always a treat.