Floor

The Flaming Lips, “The Sparrow”

King’s Mouth: Music and Songs is a bit of a return to a previous style for the Lips, sonically sounding a lot more like The Soft Bulletin than The Terror. But it’s also a big concept album, and I think that gets in the way of the songs, and not only that, the songs themselves feel just a bit forced to me. It just all kind of seems like a bit of a blurry copy of their mid-career stuff.

Ari Lennox, “Whipped Cream”

I really know very little about modern R&B, and mostly I just kind of randomly stumble on albums from year-end reviews or whatever. And then even when things come up here, I’m not sure I can say a whole lot. This is good?

U-SCO, “high and rising”

oh hell yes goddamn fuck yeah gimme that shit i need it i wanna deliberately concentrate and inhale this

ALL, “Honey Peeps”

You know, I never really gave this album a real shot. The previous album seemed so sour and included some really bad lyrics, so after buying this one due to inertia, I never really engaged with it. This is a decent tune, though. I wonder what I’d think if I went back and gave it a whirl at this point. It doesn’t make the lyrics go away, though.

Floor, “Downed Star”

There’s a longing feel to a lot of Floor, an almost wistful tint to the vocal style. When it’s married to the thrumming music, it’s a fun combination.

Beastie Boys, “5-Piece Chicken Dinner”

I love Paul’s Boutique, but this is just a goof out-of-context. OK, it’s a goof in-context also, but it makes sense with the album sequence.

Pyrrhon, “Goat Mockery Ritual”

Oh hell yeah. One of my favorite metal bands, Pyrrhon takes death metal and adds so much dissonance and spastic experimentation that it can sometimes seem overwhelming. I think at some point, it’s gone so far that my expectations are just shot. I don’t know what’s coming next, so I can just relax and revel in the twitchy glory of this whole thing. It’s hard to pick a favorite album from them, you can’t go wrong with any of the three most recent LPs.

Shudder to Think, “Baby Drop”

Your Choice Records was a DIY label that mostly (entirely?) released live records by established bands. I’ve got several of them, and they’re all very good records. Here, Shudder to Think is in fine form, and this album almost functions like a greatest hits record.

Colossus, “Tsunami”

Colossus is a collaboration betweeen Ayatollah and Widowmaker, with an instrumental hip-hop record coming out of the partnership, which was created using Kickstarter. The compositions are pretty big, and they feel more like full songs, not just beat demos. It’s a nice one to check out if you like this track.

I’ve got bad news folks. You’re stuck with me again. Sad times! If anybody out there wants to have a whack at this thing, I guess just let me know.

Floor, “Downed Star”

This song, with the distant, buried vocals and deliberately thin drums, sounds a lot like an old Crystalized Movements track, which is something nobody else is going to care about. But I think it’s neat! And if you like this, hit up that link and see if you like their stuff.

Floor, “Find Away”

In some ways, there’s some real similarities between My Bloody Valentine and Floor. Both use a ton of guitar to sometimes disorienting effect, but leaven them with vocals that are kind of at odds with the overall tone. MBV uses dream-like vocals, and Floor uses clean singing (which is unexpected in something this heavy), but it results in a dual thing that gives them a really interesting feel.

Floor, “Trick Scene”

Floor is one of the two bands that Steve Brooks leads. Initially, Floor broke up and Brooks formed Torche, but then he brought back Floor and a couple of Floor albums have been released while Torche has still been active. Because it’s the same guy singing and writing the songs, there’s not a ton to separate the bands. I suppose that Torche might be a little poppier? Anyway, both bands rule, and this Floor album (Oblation) in particular is outstanding.

Today!

Clem Snide, “Donna”

Long time reader/listeners (both of you!) know that I’m a huge Uncle Tupelo stan, but my favorite alt-country album isn’t one of theirs. It’s probably Your Favorite Music, Clem Snide’s second album. Thanks to their willingness to stretch out and leave space for Eef Barzelay’s intimate delivery and elliptical lyrics, the entire album manages to create a mood of melancholy without really giving you a specific reason for it. It’s a little disorienting that way, but then you get to the end, and you want to give it another spin.

Six songs today!

Belle & Sebastian, “Little Lou, Ugly Jack, Prophet John”

From Write About Love, a mostly forgettable album, but this is one of the songs that sticks with me from it. There’s not a whole lot to it, musically, but it’s certainly pleasant.

Jr Walker And All Stars, “Cleo’s Mood”

You don’t find that many instrumental soul tracks like this in the Motown catalog, but here we are with a sweet little tune from 1965.