FIREHOSE

fIREHOSE, “Blaze”

fIREHOSE’s swan song was Mr. Machinery Operator, their second major label release and one produced by J. Mascis. And I think you can really hear Mascis’s influence on the record, especially on this track. It’s still fIREHOSE, but it’s much rougher, much muscular in an obvious way. I have to suspect that the grunge movement had to have had some influence on the band as well. To my ears, it’s not an entirely comfortable pairing. fIREHOSE always sounded so agile, and the fuzzier, more rugged production seems to conceal a little of that agility. I don’t know if the band felt the same, but this was it for the band. Overall, to my mind, they have two great albums and three good ones, which is a good tear by anybody’s standards.

Elvis Costello & the Attractions, “New Amsterdam”

Costello was in the middle of his 10/10 run of albums (ignoring the covers record), with Get Happy!! being maybe the most distinctive of the lot. It’s not my favorite (that’s probably This Year’s Model followed by Imperial Bedroom), but the soul focus of the record means that it stands out a bit more from the rest of the group. Although Imperial Bedroom is also pretty distinctive, with the lush, orchestrated songs. I’m really not strengthening my point here. Anyway, good record.

Green Day, “Hitchin’ a Ride”

Nimrod is an uneven record, but I really like the high points of it, and this is one of them, I think. It’s nice to hear them expirimenting with their formula some, as Insomniac really did not at all.

The Budos Band, “Arcane Rambler”

Burnt Offering found the Budos Band referencing hard rock pretty explicitly in their music, and it was a really nice breath of fresh air. The following album returned to their numbering system, and V represents kind of the midpoint between III and Burnt Offering. There are still some of those same hard rock riffs here and there, but the Afrobeat is clearly back in the driver’s seat. It’s a great album from a band that have really taken it up a notch in their last few albums.

fIREHOSE, “Sometimes”

I know I bang on the drum every time fIREHOSE comes up, but I don’t care: it’s such a shame that people didn’t seem to give them a fair shake after the Minutemen. This is such a good tune! This album is really good (If’n)! fIREHOSE’s first three albums are all flat-out great.

Mogwai, “Heard About You Last Night”

Compare this to the Radiohead track from yesterday. Yeah, both contemplative, almost meditative. Plenty of space in both compositions. But this one feels like it has a point, like it’s going somewhere, not just an unfocused noodle.

Altar of Plagues, “Feather and Bone”

Altar of Plauges didn’t last very long, producing three albums, but the last two of those are masterpieces of metal. Fusing black metal with post-rock aesthetics, rooted in a willingness to let a song stretch out and breathe, I’d actually recommend the third Altar of Plagues album (Teethed Glory and Injury) to someone who wanted to give uncompromising black metal an honest try. However, I actually think their second record (Mammal, which gives us today’s track) is slightly better. It’s just a lot to take in, with only four tracks, the shortest of which is 8:17. But if you have the patience, and meet it on its terms, it’s brilliant stuff.

fIREHOSE, “Sophisticated Bitch”

We’ve had this Public Enemy cover before, so bonus song today!

The Hidden Cameras, “Music Is My Boyfriend”

You know, I have this band squirreled away in my brain as “extremely twee, not my favorite”, and so I haven’t listened to this album much. I pulled up a little writeup to get a little bit of background, and apparently I needed to pay more attention to the lyrics on these songs. But I do not, I pay very little attention to lyrics, so I missed that apparently some of these twee songs are really filthy. Oh well, they’re staying in that twee bucket.

Helmet, “Better”

Helmet’s debut album on Amphetamine Reptile Records was a savage and self-assured record, and they backed it up by touring heavily and blowing people away. Then, Nirvana blew up huge and the major labels started looking for heavy rock acts to sign to satisfy a market suddenly hungry for them. Every single one of them landed on Helmet, and a ferocious bidding war erupted. Interscope were the winners, signing Helmet to a million dollar deal and sending them into the studio. As a teaser, they released a CD single with three of the songs from the upcoming album (including this one) along with one live track, and I got to see what Helmet would sound like with serious dollars behind them. The answer? Helmet!

Shenandoah Davis, “Seventeen”

Kind of remember the last time Davis came up saying that I didn’t know anything about her. Still don’t! We don’t do any research around here! That would be against the Five Songs ethos, where we put the “ass” in “half-assed”.

Dis, “Whiteness”

Does it get more early 90s than this? The guitar tone, the sung and spoken parts, the vocals buried in the mix, all that shit. I was big into this stuff, and it still sounds great. Beacuse I’m old and fossilized.

All over the map today.

Common Market, “Slow Cure”

It’s been a while since we’ve had Common Market, so a little re-introduction: this is a Seattle duo, featuring Sabzi (more famously known as half of the Blue Scholars) and RA Scion. Given that it’s Sabzi on the beats, it’s going to share a certain feel with the Blue Scholars, but Scion is different enough from Geologic that they don’t sound totally the same.

New verison of Ghost! So far, I don’t like it. Whatever. Still basically works. I have music for you!

Lungfish, “Reveal Me”

I have a very distinct memory of listening to this album while wandering around Wean Hall at my college, and paying a lot of attention to it, and deciding that I just didn’t really like it very much. I’m not sure what set me off about it, but I very much decided that Lungfish weren’t for me. This is from their debut album, and apparently they lasted for a long time, and I stuck to my guns. I haven’t heard anything else from them. Maybe they were good! I don’t know!