Five Songs, 10/4/2023

Dr. Dre, “Mix Tape 2 Track 1”

My understanding is that this is from a mix tape that Dre used to sell at the Compton Swap Meet, which eventually made its way onto the internet. I’ve got three of these things, and it’s a delight to just hear this stuff in its raw form. Enjoy!

Farside, “Search for Ourselves”

Farside is one of the reasons I stopped making playlists on YouTube. I used to find tracks on the service, and if they were missing, I’d upload it to an unlisted video and add it to my playlist. It was kind of useful to have them there, but a problem that would happen is that the content ID system there would flag stuff. Fine, whatever, other people should get any (non-existant) royalties. But sometimes, labels or artists would have songs as prohibited uploads, so I just couldn’t host some songs there. Pain in the ass! Oh, also YouTube is a cesspool.

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Five Songs, 9/18/2022

Calexico, “Gypsy’s Curse”

The Black Light, the second Calexico album, is really where Calexico became Calexico. The dusty southwestern aesthetic reached full flower, with the rhythms and arrangements being incredibly evocative. I mean, I suppose this track explains it more than I could. They would eventually branch out more and more from this core sound, but never abandon it. But if this is why you love Calexico, this record and The Hot Rail should be at the top of your list.

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Five Songs, 12/28/2020

The Kinks, “Picture Book”

This song is why I started listening to the Kinks, thanks to the cover of the tune by the Young Fresh Fellows on This One’s For The Ladies. It’s such a jam that I went and looked up where it came from, and I was glad I did. It’s such a good album! The Kinks - check ’em out!

Waxahatchee, “Air”

Waxahatchee has been one of the most consistent bands in indie rock over the last bunch of years. Each album just doesn’t miss. This is from Ivy Tripp, which is the first album I heard, and it’s very good.

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Five Songs, 9/24/2020

Pinkwash, “Gumdrop”

Legitimately don’t remember picking this up. Apparently this is a band out of Philly, and this is their only record.

[listening]

Not bad! I can see why I picked this up! It’s shame I’m getting dumber and more forgetful.

Farside, “I Hope You’re Unhappy”

This is probably the most likely Farside song to get big, a straightforward power-pop song about longing, one almost designed to get MTV play. I have no idea if it did so, because even by 1999 I was thoroughly unplugged from the zeitgiest. It’s a pretty good tune, though.

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Five Songs, 12/17/2019

De La Soul, “Rap De Rap Show”

There’s a concept of a “difficult second album”, which is mostly just a farm for confirmation bias, but hell, let’s talk about De La Soul’s difficult second album. Their first album was a huge smash, a groundbreaking album, and an artistic statement that truly came from left field. But the flower power personas that De La Soul wore during that record began to feel stifling pretty quickly. They set out to break that mold on the next album, starting with the name of the album, and proceeding with rejecting the hippie approach throughout. The results are rough in spots, a little overly laden with filler and skits, but there are also some legitimately amazing tracks on the record. This, alas, is not one of them.

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Five Songs, 11/29/2019

Crackerbash, “Bad Karma”

I know we’ve had Crackerbash on here before, but by way of reminder, they’re a forgotten punk/power pop band out of Portland who were active for just a little while in the early 90s, producing a very good album and outstanding EP, along with a few singles. Then, right as the music scene in the Pacific Northwest blew up, they disappeared. Like fellow Portland band Pond, their stuff stands out by having more of a melodic sense than some of the more dour bands of that time and place.

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Five Songs, 11/8/2018

Two songs that I had to upload today! That’s when you know you’re getting the good stuff. And by good stuff, I mean “probably forgotten underground rock or C-list third-wave ska.”

Eric B. & Rakim, “I Know You Got Soul (Acapella)”

Paid In Full, one of the foundational albums of rap, was later reissued in a deluxe edition called the Platinum Edition. It featured a second disc of various rarities, including this tune. And all that is fine, but what made it awesome is that they went and photoshopped the gold jewelry on the original cover to be platnium. It’s that attention to detail that can really make a reissue. Anyway, the bonus junk is totally inessential.

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Five Songs, 7/19/2018

Fantastic list today.

Melvins, “Holy Barbarian”

This all has gone on long enough that I can’t really be certain any more which albums and songs I’ve talked about, so I’m just going to assume y’all can’t remember either. This comes from the great Freak Puke album, where the Melvins (calling themselves “Melvins Lite”) made an album with Trevor Dunn (Mr. Bungle) on bass. Upright bass. The texture that he provides with all the variety of sounds he cranks out makes for one of the most unique albums in the Melvins’ very long discography, and I highly, highly recommend it.

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Five Songs, 8/23/2017

Another day of all bands we’ve had before. I think that’s fun! Here are your repeat offenders!

Napalm Death, “Moral Crusade”

Even though it sounds like it was recorded at the bottom of a murky pond, you can still hear what stunned people about Napalm Death’s debut. It sounds so extreme, so otherworldly, that it’s pretty hard to comprehend at first. Mick Harris’s drums, in particular, sound almost incomprehensibly fast.

Farside, “I Hope You’re Unhappy”

Farside here are operating in sort of a mid-tempo alternative rock mode, but I still find it enjoyable despite that. I also enjoy it when bands break the fourth wall like this.

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Five Songs, 7/21/2017

Another repeat today, this time that same Dr. Octagon track. The more I do this, the more I think Amazon’s randomization thing is pretty wonky. Oh well. Today’s tunes!

The Housemartins, “I’ll Be Your Shelter”

Speak of the devil! Here’s the Housemartins taking on Luther Ingram’s “I’ll Be Your Shelter”. As with most of their covers, it’s thoroughly enjoyable (as is the original). Basically, soul music rules.

This song appears on both London 0, Hull 4 as well as the rarities/singles roundup Now That’s What I Call Quite Good, which are both outstanding.

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