Death Cab for Cutie

Cosmic Analog Ensemble, “Pourparlers”

Set everything else aside: listen to how good this song sounds. Just the quality of the recording, the way the instruments sound, the space between them. It sounds amazing, just incredibly appealing.

Blackalicious, “Jada’s Vengeance”

This is from a label sampler, Quannum Spectrum, featuring the likes of Blackalicious, DJ Shadow, Lyrics Born, Latryx, and Mack B. Dogg. Uh, I guess if you list everybody, it’s not “the likes of”. Anyway, good lineup of artists, so this is a fun little comp. Discogs tells me it’s a promo release, so I have no idea if it’s even findable.

Non Phixion, “Legacy”

This is from the comp Fat Beats Compilation, Volume 1, a nice release from 2001 of a bunch of cats going mostly pretty old-school. Yes, there are multiple DJ Premier tracks on the comp. It’s a fun record, worth just settling back and nodding your head along to.

Death Cab For Cutie, “Grapevine Fires”

As always, I can’t really tell Death Cab records apart, other than Transatlanticism. This is not that record, so I dunno, it’s from Photos About Narrow Voting Plans or whatever. It’s fine, I enjoy this just fine! I’m just going to forget it shortly. This is probably a me problem.

The Nation of Ulysses, “Cool Senior High School (Fight Song)”

Back in the day, there were troglodytes on Usenet that hated the Nation of Ulysses for being too arty, too pretentious, just too much. How stupid is that? This shit rocks, people are dumb.

Death Cab For Cutie, “I Will Follow You Into The Dark”

OK, you’ve all heard this song a billion times, on radio stations, as various crappy covers, and as the background music to a weepy scene on a middlebrow TV drama. So, whatever. What I want to talk about is this bit from the Wikipedia entry on the song, which I went to go look at to see how high this thing charted (which I no longer care about).

2Pac, “2 of Amerikaz Most Wanted”

All Eyez On Me represented 2Pac’s commercial peak, with the double-album selling tons of copies driven by “California Love”. Of course, it would be the last album he would make while alive, so we don’t know what he would have done after moving on from G-funk. If he’d been alive, there would have actually been many fewer 2Pac records, as I think he would have just moved on to acting and not much music would have been released. Instead, essentially every noise he ever made on tape would eventually get released.

Claude Fontaine, “Pretending He Was You”

Claude Fontaine’s self-titled 2019 album is a mix of reggae and a few other musical styles, such as the bossa nova of this track. It’s a charming record, helped considerably by her hiring Jamaican musicians who are deeply familiar with the music as her backing band. It’s an album that could easily have come off as inauthentic, but ends up working quite well.

Czarface & Ghostface Killah, “Powers and Stuff”

Czarface is Inspectah Deck (from the Wu-Tang Clan) and Esoteric, here teaming up for an album-length collaboration with Ghostface. As with most of Wu-related records, it’s very listenable, because the formula is so strong. Ghostface is great, of course, and the Czarface MCs are solid, so this ends up being a fun album.

Wolves in the Throne Room, “Permanent Changes in Consciousness”

This is what counts for an interstitial track for Wolves in the Throne Room. Only 1:54!

Gino Parks, “Don’t Say Bye Bye”

Meanwhile, Gino Parks cranks out an entire song with an actual structure in a tidy 1:51. It’s actually kind of funny to think about how far music has gone from 1960, and to think that you can actually draw a lineage between these two songs without much backtracking on the family tree.

New York Ska-Jazz Ensemble, “Haitian Fight Song”

This version of the great Charles Mingus song is actually the version that got me to go look up Mingus and learn more about him and buy a bunch of his records. It’s such a great song.

Pallbearer, “Atlantis”

This is the a-side from the Pallbearer single from 2019 on Sub Pop. Thanks to their 2017 record, Foundations of Burden, breaking free from the metal press and getting broader attention, Pallbearer have become the standard bearers of doom metal. But there are certainly times that Pallbearer doesn’t sound like doom metal so much as just plain ol’ heavy metal. Which is totally fine! They sound good, and there’s nothing wrong with just heavy metal.

The Allstonians, “Mikey Dee”

After the collapse of Moon Ska Records left a smoking crater in the scene, it took some bands a while to get back on track. The Allstonians were one of them, with a gap of 6 years between The Allston Beat and Bottoms Up!. The time didn’t really do them any favors - it’s a decent album, but it doesn’t really have the same energy or charm as the first two, which are some of my favorites from the third wave.

Well, the Public Enemy intros were fun for a while. I’m a little disappointed we didn’t summon any PE. Oh well. Here’s today!https://www.youtube.com/playlist?list=PLexe714An2Qj2ckZ0tlku3JJQbEgfzSmQ

Death Cab For Cutie, “Little Fury Bugs”

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Sorry, dozed off for a second there.

Whores., “I Am Not A Goal-Oriented Person”

Fuck yeah noise rock! If I had started this thing in 2009, I’d probably have a Tumblr called exactly that. But this is not that world, so I just have to resort to blurting it out here for my reader/listeners. Who I suspect would all agree with the sentiment! Also, “I Am Not A Goal-Oriented Person” is an excellent song name.

Today!

The Beatles, “Two Of Us”

This is from the Let It Be…Naked reissue that was put out in 2003, where they (I assume mostly Paul) revisited the songs and stripped away most of the Phil Spector stuff. It’s most noticable on the songs that originally had all those strings, but overall, it’s a superior version of the album, as it lets the songs shine through more and just has less farting around on it.