Couch Slut

The Atlas Moth, “Smiling Knife”

I’ve just got this one record from the Atlas Moth, Coma Noir, their most recent. And I guess I like it just fine - this track is kind of fun, with the slippery movement between genres, sounding like noise rock at times, like sludge at times, a bit of post-metal or maybe metalcore here and there. The blend doesn’t quite hold up for the whole record, though, and it ends up being the sort of thing where you want a bit more evolution or edge or something. It wasn’t quite enough for me to hunt down their previous records.

Public Enemy, “Cold Lampin’ With Flavor”

The Flavor Flav joint on It Takes A Nation of Millions To Hold Us Back is the scar that sets off the perfection of the rest of the album perfectly. As a little goof, it’s fine, but it’s a trifle compared to the rest of the thing. It’s not inevitable that Flav’s songs will always be like this, not in a world with “911 Is A Joke”, but he’s just goofing on this one. I mean, he just starts making mouth noises on it.

The Safety Fire, “Mouth of Swords”

Mouth of swords. Arms of pikes. Feet of daggers. Butt of warhammers.

Couch Slut, “All The Way Down”

We’re big Couch Slut fans here at Five Songs. The torch of grimy NYC noise rock is ably carried forward by this band, who cheerfully (?) make their music as grim and churning as they can. But it’s not artless filth, there’s an intentionality to the noise that charms me. Charms me? Well, I’ll go with it.

Couch Slut, “The Mouthwash Years”

That ascending chord progression in this track, on the heavily distorted guitar, is a perfect summation of noise rock. Just really nails it.

Mattiel, “Sent It On Over”

Mattiel’s first, self-titled, debut record made a lot of noise among music critics on its release. And it’s easy to see why, it’s a very confident record with a ton of style. It certainly sounds like its own thing, and I think a lot of critics (and me!) prize music which finds its own path. But, all that said, I don’t know that I really care for it. It doesn’t really stick with me, and I don’t find myself wanting to explore it that much.

Conjurer, “Blood and Thunder”

Conjurer followed up their excellent 2018 album Mire by doing a couple of collaborative records in 2019. They put out Curse These Metal Hands (which is great!) with Pijn, and then the record with today’s track, Conjurer x Palm Reader. It’s, uh, a split with Palm Reader. It’s just a four-song EP, with Conjurer contributing this cover of Mastodon’s song along with a cover of Slipknot’s “Vermillion”. It’s certainly an inessential record, but fun enough.

The Beatles, “It Won’t Be Long”

With The Beatles is easily my least listened to album from them. It’s kind of hard to construct the thought process that would lead me to throw it on, honestly.

House of Rhythm, “Rudi”

There’s more than a little first wave in House of Rhythm, making them something of an outlier from the rest of the third wave of ska. That’s a common comment you’ll find on a lot of the third wave bands we get here, and that’s because I tried to seek out the ska bands, rather than the ska-punk and ska-adjacent stuff.

Sorry about that, I kind of got out of the rhythm of doing this daily. I’ll get there!

Pigs, “Massive Operator Error”

I’ve been listening to a lot of noise rock recently. It’s a genre that really opened my ears up to a lot of possibilities, what with encountering Big Black pretty early, and then being huge into the Midwest scene in college. Weirdly, it’s kind of comforting to me to go back and lean kind of heavily on this genre again.