Superchunk’s No Pocky For Kitty is one of the records that really busted up my listening habits and helped broaden my tastes. That sounds stupid for someone that listened to a fair bit of punk prior to this, but it was pretty much all California punk. At any rate, I adored that record, and had high hopes for the followup. This is how it started, and my head was blown clean off.
[Read More]Forget the horns, forget the rest of the surrounding scene, this is just a hell of a fine pop-punk song. Chris DeMakes turns in a great vocal performance here, and there’s nothing I’d change about this tune.
Geez, speaking of vocal performances. This is one of the bonus tracks on the deluxe re-issue of Hot Space, and it’s a fun addition. By and large, bonus tracks don’t add a ton, but frankly, that album was kind of a mess in the first place, so having a fun vamp like this added is an improvement.
[Read More]I dunno, feels like we’ve had a good mix recently. Today is no different.
Sebadoh’s Sub Pop debut, Smash Your Head On The Punk Rock, would prove to be a transitional album. Taking the sprawling, brilliant mess of III and at least partially taming it, the focus and professionalism that Sebadoh started exhibiting here would eventually result in much more coherent albums. This period is my favorite one of the band, as I like a little chaos in my music, so when they mostly worked that stuff out of their sound, I stopped paying as much attention. So, the three album stretch from III through Bubble and Scrape is where I mostly listen.
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