Cinerama

Mogwai, “Remurdered”

I dunno about this, man. I want some fury with my Mogwai, some big dynamics, something should howl. This is pretty cerebral and isn’t what I’m generally looking for from them.

Jean Knight, “Mr. Big Stuff”

A repeat of an all-time jam.

American Music Club, “If I Had A Hammer”

“Gratitude Walks” is the opener of this album, but this beautiful slice of melancholy in the second position was what got me sold on American Music Club. I bought this album and listened to it on the walk back to campus, and it was such a change of pace from what I was listening to at the time that it really stuck with me. It’s good to have some things in your music diet that aren’t just noise and wrath.

The Apples in Stereo, “IV. From Outside, in Floats a Music Box”

Were it not for the presence of “floats”, this would be the kind of title you might find on a really pretentious prog album. I guess “twee” and “pretentious” are just two sides of the same coin.

The Men, “Ridin’ On”

After a couple albums of mellowing out some, The Men kicked it back into aggressive garage rock mode with Devil Music. It’s my favorite mode from them, so I was very happy to hear them bring it back. The more mature sounding stuff was fine, but I generally am happier with mayhem in my rock.

WE’RE BACK, BABY! The historical record of this blog won’t show anything, but for the record: on the 18th, I blew this damn thing up so thoroughly trying to update it that I had to re-install it from scratch, and then remember all the custom modifications I did to get a music player in here. It was a mess, but we’re back. And we have a new logo! Kick off the tunes, Plexasaurus Rex!

They Might Be Giants, “Experimental Film”

The Spine is a very elaborate album from TMBG. The production is really lush and layered, and it pays off in songs like this one. As the years go on, I actually end up appreciating this album more and more.

Idylls, “Fagged Out On The Beach”

Just a little transitional track here, not a ton to say about it.

Crystalized Movements, “The Second a Siren”

The production on This Wideness Comes is like an extra member of the band. There’s something about the way the fuzz and compression interacts with the band that gives it a distinctive feel. I think it’s the separation of the vocals from the rest of the band that is part of it, it almost sounds like two different recordings.

Deltron 3030, “Virus”

Hmm, gotta say this song hits a little different than it used to.

Cinerama, “Maniac”

Yet another live-in-studio thing! Two yesterday, another today. This is from John Peel Sessions, the progenitor of all these projects. Well, not this particular one, the John Peel sessions in general. John Peel loved David Gedge, so Cinerama did a bunch of these things (as did the Wedding Present). This session actually preceeds the release of Va Va Voom, and this song would end up as their debut album opener. If you’re a huge Cinerama fan, it’s fun to hear things in an earlier form.

The Beatles, “Ob-La-Di, Ob-La-Da”

Ob-la-di, ob-la-da, blog goes on!

The Du-Rites, “Bite It”

A thing that must be a delight about being an instrumental funk band is coming up with song titles. “Bite It”, that’s outstanding!

Eagles of Death Metal, “Secret Plans”

Heart On finds the Eagles of Death Metal not exactly taking things seriously, but taking things more seriously than the previous records. The previous albums sounded totally like tongue-in-cheek satires, albeit well-executed ones. This one feels more like it’s a genuine love letter to glam rock than it is a send-up of it. I’m not sure I like it better, though.

Good news! No Japanese noise today!

Tribulation, “Cauda Pavonis”

Listen to this track, and think about the other stuff featured on Five Songs in the past. What do you think this band normally sounds like? Some kind of soundtrack-y kind of thing? Something closer to post-rock? Foetus tribute act?

If you look into your heart, you know the correct answer. Something like this? Yeah, it’s metal.

Lambchop, “Jan. 24”

Lambchop chose to release two albums on the same day in 2004, Aw C’mon and No, You C’mon. It’s not entirely clear why they chose to release them as separate records, instead of a double album. There’s not really any distinction between the types of songs on the two albums, and it’s not like one is all b-sides or anything. They just decided to release two records, a bit of an odd decision from a band that has always been a bit odd themselves. At any rate, the world is a better place for more Lambchop songs, so may they release fifty albums on the same day.

Much better than yesterday.

Clipse, “Chinese New Year”

Backed by the Neptunes (Pharell Williams and Chad Hugo) doing all the production, Pusha T and Malice made gangsta rap that always sounded vicious and lean. Their first two records, fueled by those fantastic beats, are pretty outstanding, even if the lyrical content is…let’s go with questionable.

Rites of Spring, “Persistent Vision”

You know, I think Guy Picciotto was more comprehensible with Rites of Spring than he was with Fugazi. I’m not entirely sure how that happens, it’s not like he wasn’t yelling with both bands.

Back to those solid playlists.

High On Fire, “The Sunless Years”

More stoner rock from High On Fire, this time from Luminiferous, the most recent record from the outfit. Although, frankly, there’s not a ton of variation among their records. You pretty much know what you’re getting with them. I guess I’d point to Surrounded By Theives as the best, due mostly to a bitchin’ title and dude with an axe on the cover.